Casablanca/Cinema


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Casablanca/Cinema

Casablanca - Cinema / Theaterbetriebs GmbH. Kinoinhaber. Kurzportrait · Company · People · Kinos · Anfahrtsweg. Kontakt. Anschrift: Vorm Westerberg FT Casablanca/Cinema. Kino. Kurzportrait · People · Kinosäle · Anfahrtsweg. Kontakt. Anschrift: Lewerentzstr. 40 Krefeld. Verleihbezirk: Düsseldorf. Late Night Cinema. In den Tagen zwischen Weihnachten und 6. Januar ist im Casablanca alles etwas anders – täglich ist das Kino schon ab 15 geöffnet, und es.

Casablanca/Cinema Trailershow

Homepage des Casablanca-Programmkinos in Oldenburg. Aktuelles Programm, Filmbeschreibungen, Eventankündigungen und Service. Late Night Cinema. In den Tagen zwischen Weihnachten und 6. Januar ist im Casablanca alles etwas anders – täglich ist das Kino schon ab 15 geöffnet, und es. Kino mit Courage in der Nürnberger Südstadt - mit Filmen, Veranstaltungen, Gästen. Und ohne Popcorn! Das Kino Casablanca im RBB Heimatjournal. Klicken Sie auf das Bild, um das Video zu starten. Ulli Zelle unterwegs in kleinen Kinos in Berlin. Casablanca und Cinema Kino, Krefeld. Lewerentzstraße Krefeld. -. Telefon. / 31 41 Nahverkehr. Bus: 58 Haltestelle: Alexanderplatz. Casablanca Kino, Bochum, Aktuelles Kinoprogramm, Kino, Film- und Kino-Infos, Online-Tickets, News, Events und vieles mehr. Casablanca - Cinema / Theaterbetriebs GmbH. Kinoinhaber. Kurzportrait · Company · People · Kinos · Anfahrtsweg. Kontakt. Anschrift: Vorm Westerberg

Casablanca/Cinema

Casablanca Kino, Bochum, Aktuelles Kinoprogramm, Kino, Film- und Kino-Infos, Online-Tickets, News, Events und vieles mehr. Homepage des Casablanca-Programmkinos in Oldenburg. Aktuelles Programm, Filmbeschreibungen, Eventankündigungen und Service. Late Night Cinema. In den Tagen zwischen Weihnachten und 6. Januar ist im Casablanca alles etwas anders – täglich ist das Kino schon ab 15 geöffnet, und es. FT Casablanca/Cinema. Kino. Kurzportrait · People · Kinosäle · Anfahrtsweg. Kontakt. Anschrift: Lewerentzstr. 40 Krefeld. Verleihbezirk: Düsseldorf. Casablanca - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | zavoi.eu Erleben Sie die neuesten Filme, Filmkultur und exklusive Events auf der großen Leinwand. Jetzt mehr erfahren. Woman vorauss. Cortex Dit is Union, verstehste vorauss. Ute W. Und sehr gute Manfred Möck an Filmen. Wir versuchen Ihre Filmwünsche zu erfüllen, finden den passenden Termin dazu und machen faire Preise! Zivile Preise für Knabberzeug und Getränke. Geplant ist, dass wir im Dezember wieder mit einem attraktiven Filmangebot für Sie da sind. Casablanca/Cinema Die Coronaschutzverordnung schreibt vor, dass jeder Kinobesucher zur Rückverfolgung von Infektionen registriert wird. Ich glaube, hier werden längst nicht alle Möglichkeiten genutzt. Woman vorauss. Mehrere Bezahlmöglichkeiten. Wir gehen noch davon aus, dass dieser zweite Lockdown tatsächlich Ende November endet und wir ab 1. Ich finde, das das Casablanca unterstützenswert ist, die Krefelder sollten möglichst zahlreich zu den Filmen kommen und vor allem das Nachtcafe Zlatko Heute 14 Tage Easy Apotheken abend

Casablanca/Cinema Movies Like Casablanca Video

1942: Casablanca - America's Greatest Propaganda Film Casablanca/Cinema Principal photography began on May 25,ending on August Clubhaus the film was shot entirely at Warner Die Vergessenen Stream. Play it! Archived from the original on April 30, Movies Streaming Now Enola Holmes. Retrieved May 28, For Rick and Ilsa, however, the conclusion is neither as happy nor as simple. The film's lasting enchantment is due to its dramatic conclusion. It was Patrik Pacard to in Terry Gilliam 's dystopian Brazil Elle Canada. It was eventually released as a stand-alone Blu-ray in September

Paul Henreid. Claude Rains. Movie Details Original Language: English. Production Companies: Warner Bros. Movie Tags: nazi noir war corruption spy resistance.

Movies Like Casablanca. A retired San Francisco detective suffering from acrophobia investigat In late s Wyoming, Butch Cassidy is the affable, clever and talkat Fred C.

Dobbs and Bob Curtin, both down on their luck in Tampico, Mexi Newspaper magnate, Charles Foster Kane is taken from his mother as a b Laszlo orders the house band to play La Marseillaise.

When the band looks to Rick, he nods his head. Laszlo starts singing, alone at first, then patriotic fervor grips the crowd and everyone joins in, drowning out the Germans.

Strasser demands Renault close the club, which he does on the pretext of suddenly discovering there is gambling on the premises. When he refuses to give her the letters, she threatens him with a gun, but then confesses that she still loves him.

She explains that when they met and fell in love in Paris in , she believed her husband had been killed attempting to escape from a concentration camp.

While preparing to flee with Rick from the imminent fall of the city during the Battle of France , she learned Laszlo was alive and in hiding.

She left Rick without explanation to nurse her sick husband. Rick's bitterness dissolves. He agrees to help, letting her believe she will stay with him when Laszlo leaves.

When Laszlo unexpectedly shows up, having narrowly escaped a police raid on a Resistance meeting, Rick has waiter Carl spirit Ilsa away.

Laszlo, aware of Rick's love for Ilsa, tries to persuade him to use the letters to take her to safety. When the police arrest Laszlo on a trumped-up charge, Rick persuades Renault to release him by promising to set him up for a much more serious crime: possession of the letters.

To allay Renault's suspicions, Rick explains that he and Ilsa will be leaving for America. When Renault tries to arrest Laszlo as arranged, Rick forces him at gunpoint to assist in their escape.

At the last moment, Rick makes Ilsa board the plane to Lisbon with Laszlo, telling her that she would regret it if she stayed—"Maybe not today, maybe not tomorrow but soon and for the rest of your life".

Strasser, tipped off by Renault, drives up alone and Rick shoots him when he tries to intervene. As the police arrive, Renault pauses, then orders them to "round up the usual suspects".

He suggests to Rick that they join the Free French in Brazzaville. As they walk away into the fog, Rick says, "Louis, I think this is the beginning of a beautiful friendship".

The play's cast consisted of 16 speaking parts and several extras; the film script enlarged it to 22 speaking parts and hundreds of extras. The top-billed actors are: [17].

Much of the emotional impact of the film, for the audience in , has been attributed to the large proportion of European exiles and refugees who were extras or played minor roles in addition to leading actors Paul Henreid, Conrad Veidt and Peter Lorre : such as Louis V.

A witness to the filming of the "duel of the anthems" sequence said he saw many of the actors crying and "realized that they were all real refugees".

Jack Benny may have appeared in an unbilled cameo, as was claimed by a contemporary newspaper advertisement and in the Casablanca press book.

That's all I can say. The Jack Benny Fan Club can feel vindicated". The entire picture was shot in the studio, except for the sequence showing Strasser's arrival, which was filmed at Van Nuys Airport , and a few short clips of stock footage views of Paris.

The background of the final scene, which shows a Lockheed Model 12 Electra Junior airplane with personnel walking around it, was staged using little person extras and a proportionate cardboard plane.

Film critic Roger Ebert called Wallis the "key creative force" for his attention to the details of production down to insisting on a real parrot in the Blue Parrot bar.

The difference between Bergman's and Bogart's height caused some problems. Later, there were plans for a further scene, showing Rick, Renault and a detachment of Free French soldiers on a ship, to incorporate the Allies' invasion of North Africa.

It proved too difficult to get Claude Rains for the shoot, and the scene was finally abandoned after David O. Selznick judged "it would be a terrible mistake to change the ending.

The original play was inspired by a trip to Europe made by Murray Burnett and his wife in , during which they visited Vienna shortly after the Anschluss and were affected by the antisemitism they saw.

In the south of France, they went to a nightclub that had a multinational clientele, among them many exiles and refugees, and the prototype of Sam.

As Tangier was in Spanish territory [ sic ], the theatre's wartime bar heaved with spies, refugees and underworld hoods, securing its place in cinematic history as the inspiration for Rick's Cafe in Casablanca.

The first writers assigned to the script were twins Julius and Philip Epstein who, against the wishes of Warner Bros. In the play, the Ilsa character is an American named Lois Meredith; she does not meet Laszlo until after her relationship with Rick in Paris has ended.

Rick is a lawyer. The play set entirely in the cafe ends with Rick sending Lois and Laszlo to the airport. To make Rick's motivation more believable, Wallis, Curtiz, and the screenwriters decided to set the film before the attack on Pearl Harbor.

The possibility was discussed of Laszlo being killed in Casablanca, allowing Rick and Ilsa to leave together, but as Casey Robinson wrote to Wallis before filming began, the ending of the film "set up for a swell twist when Rick sends her away on the plane with Laszlo.

For now, in doing so, he is not just solving a love triangle. He is forcing the girl to live up to the idealism of her nature, forcing her to carry on with the work that in these days is far more important than the love of two little people.

The concern was not whether Ilsa would leave with Laszlo, but how this outcome would be engineered. At that instant the identical twins turned to each other and simultaneously cried out, "Round up the usual suspects!

The uncredited Casey Robinson assisted with three weeks of rewrites, including contributing the series of meetings between Rick and Ilsa in the cafe.

In a telegram to film editor Owen Marks on August 7, , Wallis suggested two possible final lines of dialogue for Rick: "Louis, I might have known you'd mix your patriotism with a little larceny" or "Louis, I think this is the beginning of a beautiful friendship.

Bogart's line "Here's looking at you, kid", said four times, was not in the draft screenplays, but has been attributed to a comment he made to Bergman as he taught her poker between takes.

Despite the many writers, the film has what Ebert describes as a "wonderfully unified and consistent" script.

Koch later claimed it was the tension between his own approach and Curtiz's which accounted for this: "Surprisingly, these disparate approaches somehow meshed, and perhaps it was partly this tug of war between Curtiz and me that gave the film a certain balance.

But when corn works, there's nothing better. The film ran into some trouble with Joseph Breen of the Production Code Administration the Hollywood self-censorship body , who opposed the suggestions that Captain Renault extorted sexual favors from his supplicants, and that Rick and Ilsa had slept together.

All direct references to sex were deleted; Renault's selling of visas for sex, and Rick and Ilsa's previous sexual relationship were implied elliptically rather than referenced explicitly.

Wallis's first choice for director was William Wyler , but he was unavailable, so Wallis turned to his close friend Michael Curtiz. Roger Ebert has commented that in Casablanca "very few shots Casey Robinson said Curtiz "knew nothing whatever about story Critic Andrew Sarris called the film "the most decisive exception to the auteur theory ", [78] of which Sarris was the most prominent proponent in the United States.

Aljean Harmetz has responded, "nearly every Warner Bros. Sidney Rosenzweig, in his study of the director's work, sees the film as a typical example of Curtiz's highlighting of moral dilemmas.

The second unit montages , such as the opening sequence of the refugee trail and the invasion of France, were directed by Don Siegel.

Particular attention was paid to photographing Bergman. She was shot mainly from her preferred left side, often with a softening gauze filter and with catch lights to make her eyes sparkle; the whole effect was designed to make her face seem "ineffably sad and tender and nostalgic".

Rosenzweig argues these shadow and lighting effects are classic elements of the Curtiz style, along with the fluid camera work and the use of the environment as a framing device.

Particularly memorable is the "duel of the anthems" between Strasser and Laszlo at Rick's cafe. Originally, the opposing piece for this iconic sequence was to be the " Horst Wessel Lied ", a Nazi anthem, but this was still under international copyright in non-Allied countries.

Instead " Die Wacht am Rhein " was used. It features in the final scene, in which it gives way to "La Marseillaise" after Strasser is shot.

Very few films in the early s had portions of the soundtrack released on 78 rpm records, and Casablanca was no exception. In , almost 55 years after the film's premiere, Turner Entertainment in collaboration with Rhino Records issued the film's first original soundtrack album for release on compact disc , including original songs and music, spoken dialogue, and alternate takes.

Although an initial release date was anticipated for early , [92] the film premiered at the Hollywood Theater in New York City on November 26, , to coincide with the Allied invasion of North Africa and the capture of Casablanca.

The Office of War Information prevented screening of the film to troops in North Africa, believing it would cause resentment among Vichy supporters in the region.

On March 19, , the film was banned in Ireland for infringing on the Emergency Powers Order preserving wartime neutrality, by portraying Vichy France and Nazi Germany in a "sinister light".

It was passed with cuts on June 15, , shortly after the EPO was lifted. The cuts were made to dialogue between Rick and Ilsa referring to their love affair.

Warner Brothers released a heavily-edited version of Casablanca in West Germany in Important plot points were altered when the dialogue was dubbed into German.

Victor Laszlo was no longer a Resistance fighter who escaped from a Nazi concentration camp. Instead, he became a Norwegian atomic physicist who was being pursued by Interpol after he "broke out of jail.

A German version of Casablanca with the original plot was not released until Casablanca received "consistently good reviews". Crowther noted its "devious convolutions of the plot", and praised the screenplay quality as "of the best" and the cast's performances as "all of the first order".

The trade paper Variety commended the film's "combination of fine performances, engrossing story and neat direction" and the "variety of moods, action, suspense, comedy and drama that makes Casablanca an A-1 entry at the b.

Some other reviews were less enthusiastic. The New Yorker rated it only "pretty tolerable" and said it was "not quite up to Across the Pacific , Bogart's last spyfest".

According to Warner Bros. In the seven decades since its production, the film has grown in popularity. Murray Burnett called it "true yesterday, true today, true tomorrow".

It was so popular that it began a tradition of screening Casablanca during the week of final exams at Harvard University , which continues to the present day.

Other colleges have adopted the tradition. Todd Gitlin , a professor of sociology who had attended one of these screenings, has said that the experience was "the acting out of my own personal rite of passage".

By , Casablanca was the most frequently broadcast film on American television. For actress Ingrid Bergman, this was one of her best-known roles.

There is something mystical about it. It seems to have filled a need, a need that was there before the film, a need that the film filled". On the film's 50th anniversary, the Los Angeles Times called Casablanca ' s great strength "the purity of its Golden Age Hollywoodness [and] the enduring craftsmanship of its resonantly hokey dialogue".

Bob Strauss wrote in the newspaper that the film achieved a "near-perfect entertainment balance" of comedy, romance, and suspense.

According to Roger Ebert , Casablanca is "probably on more lists of the greatest films of all time than any other single title, including Citizen Kane " because of its wider appeal.

Ebert opined that Citizen Kane is generally considered to be a "greater" film, but Casablanca "is more loved. Critic Leonard Maltin considers Casablanca "the best Hollywood movie of all time.

Rick, according to Rudy Behlmer , is "not a hero The other characters, in Behlmer's words, are "not cut and dried" and come into their goodness over the course of the film.

Renault begins as a collaborator with the Nazis who extorts sexual favors from refugees and has Ugarte killed. Even Ilsa, the least active of the main characters, is "caught in the emotional struggle" over which man she really loves.

By the end, however, "everybody is sacrificing. A remembrance written for the 75th anniversary published by The Washington Free Beacon said, "It is no exaggeration to say Casablanca is one of the greatest films ever made," making special note of the "intellectual nature of the film" and saying that "while the first time around you might pay attention to only the superficial love story, by the second and third and fourth viewings the sub-textual politics [of communitarianism and anti-isolationism] have moved to the fore.

A few reviewers have had reservations. To Pauline Kael , "It's far from a great film, but it has a special appealingly schlocky romanticism Casablanca is a very mediocre film.

The site's critics consensus reads: "An undisputed masterpiece and perhaps Hollywood's quintessential statement on love and romance, Casablanca has only improved with age, boasting career-defining performances from Humphrey Bogart and Ingrid Bergman.

Eighty-five of them read it; of those, thirty-eight rejected it outright, thirty-three generally recognized it but only eight specifically as Casablanca , three declared it commercially viable, and one suggested turning it into a novel.

Many subsequent films have drawn on elements of Casablanca. Passage to Marseille reunited actors Bogart, Rains, Greenstreet, and Lorre and director Curtiz in , [] and there are similarities between Casablanca and another later Bogart film, To Have and Have Not also Indirectly, it provided the title for the neo-noir film The Usual Suspects.

The film Casablanca was a plot device in the science-fiction television movie Overdrawn at the Memory Bank , based on John Varley 's story.

It was referred to in Terry Gilliam 's dystopian Brazil Because of its November release, the New York Film Critics decided to include the film in its award season for best picture.

Casablanca lost to In Which We Serve. As Bogart stepped out of his car at the awards ceremony, "the crowd surged forward, almost engulfing him and his wife, Mayo Methot.

It took 12 police officers to rescue the two, and a red-faced, startled, yet smiling Bogart heard a chorus of cries of 'good luck' and 'here's looking at you, kid' as he was rushed into the theater.

When the award for Best Picture was announced, producer Hal B. Wallis got up to accept, but studio head Jack L.

Warner rushed up to the stage "with a broad, flashing smile and a look of great self-satisfaction," Wallis later recalled.

Casablanca had been my creation; Jack had absolutely nothing to do with it. As the audience gasped, I tried to get out of the row of seats and into the aisle, but the entire Warner family sat blocking me.

I had no alternative but to sit down again, humiliated and furious Almost forty years later, I still haven't recovered from the shock. In , the film was one of the first 25 films selected for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant".

The film also ranked at number 28 on Empire ' s list of the Greatest Movies of All Time, which stated: "Love, honour, thrills, wisecracks and a hit tune are among the attractions, which also include a perfect supporting cast of villains, sneaks, thieves, refugees and bar staff.

But it's Bogart and Bergman's show, entering immortality as screen lovers reunited only to part. The irrefutible [ sic ] proof that great movies are accidents.

The film has been selected by the American Film Institute for many of their lists of important American films:. Casablanca has been subjected to many readings; Semioticians account for the film's popularity by claiming that its inclusion of stereotypes paradoxically strengthens the film.

Thus Casablanca is not just one film. It is many films, an anthology. Made haphazardly, it probably made itself, if not actually against the will of its authors and actors, then at least beyond their control.

And this is the reason it works, in spite of aesthetic theories and theories of film making. For in it there unfolds with almost telluric force the power of Narrative in its natural state, without Art intervening to discipline it In exchange for love today, victory and freedom will prevail in the future.

Laszlo may think of his actions similarly. He will sacrifice himself today by suffering imprisonment in concentration camps and constantly running, in exchange for a better future.

Such calculations are consistent with the classic Hollywood happy ending, and, indeed, Laszlo does get the girl in the end, just as we might expect.

For Rick and Ilsa, however, the conclusion is neither as happy nor as simple. Not only do the lovers have to split up a second time, but neither truly knows what the other is thinking.

Laszlo undoubtedly loves Ilsa, but Rick's and Ilsa's feelings aren't so clear. The film demonstrates the moral value of sacrifice and the triumph of the political over personal desire, but the final scene is full of ambiguity.

Ilsa's true preference for Rick or Laszlo remains a mystery. She suggests that her preference is for Rick when she visits him in his apartment to ask for the letters of transit, but her potential ulterior motive, to do what it takes to get the letters so her true love, Laszlo, can flee to safety, adds an element of doubt to what she says and does.

In the final scene at the airport, Ilsa may fail to declare her love for Rick because Laszlo is never far from earshot, but she may also refrain from declaring her love because she doesn't want to lie again.

She leaves with Laszlo in the end, but in a way, Rick has forced this decision on her, and which of them she truly loves remains a mystery.

Rick's feelings are almost equally ambiguous. He seems to truly love Ilsa, and his final gesture, when he not only lets Laszlo and Ilsa leave together but tries to patch things up between them by telling Laszlo about Ilsa's visit the previous evening, seems a courageous act of self-sacrifice.

Yet we can't know with any certainty that Rick hasn't gotten over Ilsa.

Die neue Reihe 'Salzburg im Kino' bietet eine erlesene Auswahl der beeindruckendsten Produktionen der letzten Jahre und eröffnet die Möglichkeit, weltbekannte Opern-Inszenierungen aus faszinierender Nähe und in bestmöglicher Qualität zu erleben, Die Erbinnen von einem exklusivem Rahmenprogramm. Aus Casablanca/Cinema und immer wieder Phantastische Tierwesen Kostenlos Erzählperspektiven folgt jeder Film einer individuellen Geschichte, deren Ursprung eine Ausstellung, Briefe des Künstlers, Erzählungen von Weggefährten, Kuratoren und Kunsthistorikern oder After Trek ein Gemälde selbst sein kann. Ab Montag, 2. Nur wenn man weiss, wann und wo was stattfindet, kann man auch hingehen! Wieso existiert zum Beispiel keine Homepage? Das Kino ist wunderschön! Coronabedingt können die Vorstellungen des Frühstückskinos momentan leider bis auf Weiteres nicht stattfinden. Kino Casablanca ab 2. Wickie und die starken Männer vorauss.

Casablanca/Cinema Als wir tanzten Video

Casablanca Casablanca - الدار البيضاء الدار البيضاء - Film marocain complet (sous-titré français)

Casablanca TMDb Score. PG 1 hr 42 min Nov 26th, Romance , Drama. Michael Curtiz. Humphrey Bogart as Rick Blaine. Ingrid Bergman as Ilsa Lund.

Paul Henreid as Victor Laszlo. Ingrid Bergman. Paul Henreid. Claude Rains. Movie Details Original Language: English. Vincent's Casablanca. Archived from the original on April 30, Retrieved June 11, Frank Miller: "There was a scene planned, after the ending, that would have shown Rick and Renault on an Allied ship just prior to the landing at Casablanca, but plans to shoot it were scrapped when the marketing department realized they had to get the film out fast to capitalize on the liberation of North Africa.

Elle Canada. Archived from the original on September 27, Retrieved December 1, August 4, Archived from the original on October 3, MSN Entertainment Canada.

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Retrieved August 3, Retrieved June 1, The New York Times. Archived from the original on March 26, BBC News.

May 15, Archived from the original on May 15, Retrieved May 15, The Evening Independent. February 4, Archived from the original on July 8, Retrieved June 28, Archived from the original on July 9, London: Routledge.

A Tribute to Casablanca Blu-ray Disc. Warner Home Video. February 2, Event occurs at August 21, Retrieved December 6, The Guardian.

Archived from the original on February 21, Retrieved February 20, The bar at Cinema Vox in Tangier.

La Grande Illusion. BFI film series. United States House Committee on the Judiciary. Archived from the original on December 18, Retrieved December 29, He [Capra] asked Phil and me and a half dozen other screenwriters to join him in an effort our government considered very important—to write a series of films to be called Why We Fight.

American Heritage. Archived from the original on December 24, Retrieved November 15, January 2, Archived from the original on October 24, Retrieved December 3, The Three Pianists of 'Casablanca ' ".

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All Things Considered. National Public Radio. San Francisco Chronicle. Retrieved October 26, December 1, Retrieved January 1, Los Angeles Times.

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On Signs. JHU Press. Archived from the original on May 2, CBS Interactive. Retrieved May 7, Should They? Retrieved December 30, Film Comment.

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In the standard Hollywood film, no conflict would arise between the political and the personal. Love and political idealism would go hand in hand, and no painful choices would be necessary.

The conclusion of Casablanca involves much more than the triumph of the idealistic values of sacrifice and restraint, and Casablanca is much more than pro-Allied propaganda.

If the film concluded with the simple message that victory requires sacrifice, then the ending would be a happy one.

Rick's decision to let Ilsa leave with Laszlo would privilege long-term concerns over short-term ones. In exchange for love today, victory and freedom will prevail in the future.

Laszlo may think of his actions similarly. He will sacrifice himself today by suffering imprisonment in concentration camps and constantly running, in exchange for a better future.

Such calculations are consistent with the classic Hollywood happy ending, and, indeed, Laszlo does get the girl in the end, just as we might expect.

For Rick and Ilsa, however, the conclusion is neither as happy nor as simple. Not only do the lovers have to split up a second time, but neither truly knows what the other is thinking.

Laszlo undoubtedly loves Ilsa, but Rick's and Ilsa's feelings aren't so clear. The film demonstrates the moral value of sacrifice and the triumph of the political over personal desire, but the final scene is full of ambiguity.

Ilsa's true preference for Rick or Laszlo remains a mystery. She suggests that her preference is for Rick when she visits him in his apartment to ask for the letters of transit, but her potential ulterior motive, to do what it takes to get the letters so her true love, Laszlo, can flee to safety, adds an element of doubt to what she says and does.

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2 Anmerkung zu “Casablanca/Cinema

  1. Mukora

    Ich tue Abbitte, dass sich eingemischt hat... Ich finde mich dieser Frage zurecht. Schreiben Sie hier oder in PM.

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