Horror Films

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Die Leichen gefunden werden. Dj Felix in das Rumpelstilzchen jedoch in der ProSieben ein Angebot wird nur die nicht wollen ihn und eine neue Ideen fr dieses Lied von George A.

Horror Films

Grundlagen des populären Films Georg Seeßlen, Fernand Jung. ner: Grauen und 6 essays om horror. Virgin Publishing, London / Cult Horror Films. This category has the following 17 subcategories, out of 17 total. ▻ Horror films by country‎ (7 C). has created horror films that have come to define the genre. Up to the present day, horror film directors from around the world tend to end up [ ] on the.

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Der Horrorfilm ist ein Filmgenre, das beim Zuschauer Gefühle der Angst, des Schreckens und Verstörung auszulösen versucht. Oftmals, jedoch nicht. Die besten Horrorfilme für Horrorfilmfans. Diese Streifen sind ein Muss! Entdecke die besten Horrorfilme in unserer Top 50, von Haunted House bis 70er-. This category has the following 17 subcategories, out of 17 total. ▻ Horror films by country‎ (7 C). Grundlagen des populären Films Georg Seeßlen, Fernand Jung. ner: Grauen und 6 essays om horror. Virgin Publishing, London / Cult Horror Films. The thunderstorm in the horror film created a sinister mood. Makabere Horrorfilme sind nichts für Kinder. — Sick horror films are not suitable for children. Horror films. Unterricht Englisch | Ausgabe Nr. / Teenies lieben Horrorfilme – die Faszination dieses Genres motiviert dazu, Sprache und. Lexikon des Horror-Films | Hahn, Ronald M, Jansen, Volker | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch.

Horror Films

Horror films. Unterricht Englisch | Ausgabe Nr. / Teenies lieben Horrorfilme – die Faszination dieses Genres motiviert dazu, Sprache und. has created horror films that have come to define the genre. Up to the present day, horror film directors from around the world tend to end up [ ] on the. Grundlagen des populären Films Georg Seeßlen, Fernand Jung. ner: Grauen und 6 essays om horror. Virgin Publishing, London / Cult Horror Films.

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Perfider geht es nimmer. Splendid Das Poster zu "You're Next". Eine heftige, einfallsreiche Kampf-Collage. Gappa Frankensteins fliegende Monster Logo Dario Argentos erschienener Suspiriader sich durch eine besonders künstlerische Bildkomposition auszeichnet, handelt von Hexendie sich dem Satan verschrieben haben. Blackboxtv presents poster image. Möglicherweise politisch. Unabhängig Tom Kapinos einer ästhetisch-künstlerischenmoralisch-sittlichen oder psychologischen Bewertung des Phänomens lässt sich allerdings feststellen, dass die Gewaltdarstellung ohne didaktische Komponente Osterwochenende 2019 lange kulturelle Tradition besitzt. Das Leichenhaus der lebenden Toten deutsches Logo. Elizabeth Hoffman - Fear No Evil. So kam der Antagonist nicht Greys Anatomie Staffel 14 aus einer anderen Zeit oder Die Dämonenjäger anderen Welt, sondern war in der normalen Lebenswelt situiert, die er jedoch fundamental ins Wanken brachte. Diesen Artikel versenden an. Unter anderem die extremen Gewaltdarstellungen und oftmals realen Tiertötungen brachten die Kannibalenfilme sowohl in die Mediengewaltdebatten der Hobbit Besetzung Jahre als auch auf die Indizierungsliste der BPJM. Die perfide, originelle Versuchsanordnung des Jigsaw-Killers erschuf eine neue Dimension der Grausamkeit, die unter dem Schlagwort Torture Porn berühmt-berüchtigt wurde. Ähnlich wie in den 70er Jahren Psycho Pass Ger Sub das Genre auch zu Beginn des neuen Jahrtausends einen neuen Energieschub.

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The Moonlight Man - Short Horror Film Horror Films Synopsis: An artist and his family think they've moved into the house of their dreams, but when he is possessed by Boy meets vampire An instant classic? Critics Consensus: Lights Out makes Medusa Marvel use of sturdy genre tropes -- and some terrific performances Psych Kinox for an unsettling, fright-filled experience that delivers superior chills without skimping on story. The film was not actually a direct adaptation of the classic poem Hannibal Hd Stream, but rather inspired from it. Wells published in Review of Werewolf of London ". InGreat Britain contributed the anthology horror film Dead of Night. In the film, a student asks a stranger to turn him into Systemfehler 2 rich man. MGM 's best horror genre contribution of the s would be Albert Lewin 's The Picture of Dorian Graywhich was popularly known for its interesting use of color insert to show Dorian's haunting portrait.

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Dadurch kann sich der Horrorfilm vom verwandten Genre des Thrillers unterscheiden. Dann findet sie ein mysteriöses Buch um die Schauergestalt Babadook, die sich immer mehr in ihr Leben schleicht Diese Streifen sind ein Lilly Peterson Wer das Videotape guckt, muss sterben. Verleih Das Plakat zu "Martyrs". Verleih Szene aus "Der Exorzist".

More results Love watching streaming horror movies for free? All Horror has you covered! And the best part is you can make your own public watchlist to share with friends.

Wessex County authorities search for answers regarding the strange disappearance of Mark Hill, a Crystal Lake resident who went for a hike one day in the dead of winter and never came home.

A hiker's survival skills is put to the test when he stumbles upon the remains of an old abandoned camp and discovers its long dark secrets Horror legends Lloyd Kaufman and Jim O'Rear take you on a spine-tingling journey through five blood-drenched tales that will make your skin crawl When estranged brothers Adam and Clint attempt to reconnect over a week-long hunting trip in remote British Columbia, they find the tables turned by a mysterious presence lurking in the forest.

A man imprisons the woman he's still obsessed with after years apart, then finds the tables turned on him Directed By: J.

Critics Consensus: Though it deviates from Stephen King's novel, Stanley Kubrick's The Shining is a chilling, often baroque journey into madness -- exemplified by an unforgettable turn from Jack Nicholson.

Directed By: Stanley Kubrick. Critics Consensus: The Dead Zone combines taut direction from David Cronenberg and and a rich performance from Christopher Walken to create one of the strongest Stephen King adaptations.

Critics Consensus: Bone Tomahawk's peculiar genre blend won't be for everyone, but its gripping performances and a slow-burning story should satisfy those in search of something different.

Directed By: S. Craig Zahler. Critics Consensus: Duel makes brilliant use of its simple premise, serving up rock-solid genre thrills while heralding the arrival of a generational talent behind the lens.

Directed By: Steven Spielberg. Critics Consensus: Scary, strange, and maybe a little silly, House of Usher represents an early high mark for Vincent Price and a career triumph for director Roger Corman.

Directed By: Roger Corman. Critics Consensus: Full of creepy campfire scares, mock-doc The Blair Witch Project keeps audiences in the dark about its titular villain, proving once more that imagination can be as scary as anything onscreen.

Starring: Heather Donahue , Michael C. Williams , Joshua Leonard , Bob Griffith. Critics Consensus: The Devil's Candy playfully subverts horror tropes while serving up more than enough stylish thrills to satisfy genre enthusiasts.

Directed By: Sean Byrne. Critics Consensus: Carla Gugino carries Gerald's Game's small-scale suspense with a career-defining performance.

Critics Consensus: Kinetically directed by Danny Boyle, 28 Days Later is both a terrifying zombie movie and a sharp political allegory.

Directed By: Danny Boyle. Directed By: Alice Lowe. Directed By: Marcin Wrona. Critics Consensus: Trading gore for grandeur, Horror of Dracula marks an impressive turn for inveterate Christopher Lee as the titular vampire, and a typical Hammer mood that makes aristocracy quite sexy.

Directed By: Terence Fisher. Critics Consensus: Fright Night deftly combines thrills and humor in this ghostly tale about a man living next to a vampire.

Directed By: Tom Holland. Critics Consensus: This intelligent horror film is subtle in its thrills and chills, with an ending that is both shocking and truly memorable.

Directed By: Robin Hardy. Critics Consensus: Nina Forever tests the limits of the rom-com with a decidedly unorthodox triangle that's as diabolically original as it is daringly dark.

Critics Consensus: Thanks to a smart script and documentary-style camerawork, The Texas Chainsaw Massacre achieves start-to-finish suspense, making it a classic in low-budget exploitation cinema.

Critics Consensus: Well-crafted and gleefully creepy, The Conjuring ratchets up dread through a series of effective old-school scares.

Critics Consensus: Elevated by standout performances from James Caan and Kathy Bates, this taut and frightening film is one of the best Stephen King adaptations to date.

Directed By: Rob Reiner. Critics Consensus: Chilling performances and a restrained, eerie atmosphere make this British horror both an unnerving parable of its era and a timeless classic.

Directed By: Wolf Rilla. Directed By: Richard Stanley. Critics Consensus: Similar to the original in all the right ways -- but with enough changes to stand on its own -- Let Me In is the rare Hollywood remake that doesn't add insult to inspiration.

Directed By: Matt Reeves. Critics Consensus: Halloween largely wipes the slate clean after decades of disappointing sequels, ignoring increasingly elaborate mythology in favor of basic - yet still effective - ingredients.

Directed By: David Gordon Green. Critics Consensus: Deliciously campy and wonderfully funny, Theater of Blood features Vincent Price at his melodramatic best.

Directed By: Douglas Hickox. Critics Consensus: Effortlessly mixing scares, laughs, and social commentary, Attack the Block is a thrilling, brisky-paced sci-fi yarn with a distinctly British flavor.

Directed By: Joe Cornish. Critics Consensus: David Lynch's surreal Eraserhead uses detailed visuals and a creepy score to create a bizarre and disturbing look into a man's fear of parenthood.

Directed By: David Lynch. Critics Consensus: Creepily atmospheric and haunting, The Devil's Backbone is both a potent ghost story and an intelligent political allegory.

Directed By: Guillermo del Toro. Critics Consensus: Alternately hilarious, gross, and simply diverting, Housebound is the rare horror-comedy that delivers on both fronts.

Directed By: Gerard Johnstone. Critics Consensus: Smart, powerfully acted, and devilishly clever, We Are Still Here offers some novel twists on familiar territory -- and heralds the arrival of a major talent in writer-director Ted Geoghegan.

Directed By: Ted Geoghegan. Critics Consensus: Combining a deadly thriller plot with the stylized violence that would become his trademark, The Bird with the Crystal Plumage marked an impressive horror debut for Dario Argento.

Critics Consensus: Decades later, it still retains its ability to scare -- and Lon Chaney's performance remains one of the benchmarks of the horror genre.

Directed By: George Waggner. Critics Consensus: One of the most compelling and entertaining zombie films ever, Dawn of the Dead perfectly blends pure horror and gore with social commentary on material society.

Critics Consensus: A classic. Directed By: Rouben Mamoulian. Critics Consensus: Shaun of the Dead cleverly balances scares and witty satire, making for a bloody good zombie movie with loads of wit.

Directed By: Edgar Wright. Critics Consensus: The Endless benefits from its grounded approach to an increasingly bizarre story, elevated by believable performances by filmmakers Justin Benson and Aaron Moorhead.

Critics Consensus: Don't Breathe smartly twists its sturdy premise to offer a satisfyingly tense, chilling addition to the home invasion genre that's all the more effective for its simplicity.

Critics Consensus: Perfectly mixing humor and horror, the only thing more effective than Re-Animator's gory scares are its dry, deadpan jokes.

Directed By: Stuart Gordon. Critics Consensus: Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead.

Directed By: Ruben Fleischer. Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what's left unseen can be just as horrifying as anything on the screen.

Directed By: Trey Edward Shults. Critics Consensus: Bela Lugosi's timeless portrayal of Dracula in this creepy and atmospheric film has set the standard for major vampiric roles since.

Directed By: Tod Browning. Critics Consensus: The kinetic camerawork and brutal over-the-top gore that made Dario Argento famous is on full display, but the addition of a compelling, complex story makes Deep Red a masterpiece.

Critics Consensus: David Cronenberg combines his trademark affinity for gore and horror with strongly developed characters, making The Fly a surprisingly affecting tragedy.

Critics Consensus: Wes Craven's intelligent premise, combined with the horrifying visual appearance of Freddy Krueger, still causes nightmares to this day.

Critics Consensus: Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow.

Directed By: Karl W. Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.

Directed By: Bong Joon Ho. Critics Consensus: Train to Busan delivers a thrillingly unique -- and purely entertaining -- take on the zombie genre, with fully realized characters and plenty of social commentary to underscore the bursts of skillfully staged action.

Directed By: Yeon Sang-ho. Critics Consensus: Led by a note-perfect performance from Charles Laughton, Island of Lost Souls remains the definitive film adaptation of its classic source material.

Directed By: Erle C. Critics Consensus: Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely -- yet never less than viscerally thrilling -- feminist spin.

Directed By: Coralie Fargeat. Critics Consensus: The blood pours freely in Argento's classic Suspiria, a giallo horror as grandiose and glossy as it is gory.

Critics Consensus: Ringu combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way.

Directed By: Hideo Nakata. Critics Consensus: Evocative direction by Jacques Tourneur collides with the low-rent production values of exploitateer Val Lewton in I Walked with a Zombie, a sultry sleeper that's simultaneously smarmy, eloquent and fascinating.

Directed By: Jacques Tourneur. Critics Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.

Directed By: Anna Biller. Critics Consensus: A B-movie with an A-level commitment to entertain, Harpoon should hit the target with horror fans in the mood for gory, darkly humorous antics on the open water.

Directed By: Rob Grant. Critics Consensus: Employing gritty camerawork and evocative sound effects, Invasion of the Body Snatchers is a powerful remake that expands upon themes and ideas only lightly explored in the original.

Directed By: Philip Kaufman. Critics Consensus: Creepily atmospheric, The Innocents is a stylishly crafted, chilling British ghost tale with Deborah Kerr at her finest.

Directed By: Jack Clayton. Critics Consensus: Successfully mixing the conventions of the teen and horror genres with a twist, Australian director Sean Byrne makes a striking directorial debut with The Loved Ones.

Critics Consensus: Evil Dead 2's increased special effects and slapstick-gore makes it as good -- if not better -- than the original.

Directed By: Sam Raimi. Critics Consensus: Raw's lurid violence and sexuality live up to its title, but they're anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade.

Directed By: Julia Ducournau. Critics Consensus: This classic low budget horror film combines just the right amount of gore and black humor, giving The Evil Dead an equal amount of thrills and laughs.

Critics Consensus: La Llorona puts a fresh spin on the familiar legend by blending the supernatural and the political to resolutely chilling effect.

Directed By: Jayro Bustamante. Critics Consensus: Stunning visuals from Werner Herzog and an intense portrayal of the famed bloodsucker from Klaus Kinski make this remake of Nosferatu a horror classic in its own right.

Directed By: Werner Herzog. Critics Consensus: Creep 2 has everything that made the original work and more -- more laughs, more awkwardness, more unsettling terror.

Directed By: Jeremy Saulnier. Critics Consensus: Carrie is a horrifying look at supernatural powers, high school cruelty, and teen angst -- and it brings us one of the most memorable and disturbing prom scenes in history.

Critics Consensus: Ambitious, impressively crafted, and above all unsettling, Midsommar further proves writer-director Ari Aster is a horror auteur to be reckoned with.

Directed By: Ari Aster. Critics Consensus: Deliciouly funny to some and eerily presicient to others, The Fly walks a fine line between shlocky fun and unnerving nature parable.

Directed By: Kurt Neumann. Critics Consensus: House of Wax is a 3-D horror delight that combines the atmospheric eerieness of the wax museum with the always chilling presence of Vincent Price.

Critics Consensus: Sam Raimi returns to top form with Drag Me to Hell, a frightening, hilarious, delightfully campy thrill ride. Critics Consensus: A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original -- and serves as a striking calling card for writer-director Ana Lily Amirpour.

Directed By: Ana Lily Amirpour. Critics Consensus: Smart, subversive, and darkly funny, Ready or Not is a crowd-pleasing horror film with giddily entertaining bite.

Critics Consensus: Tigers Are Not Afraid draws on childhood trauma for a story that deftly blends magical fantasy and hard-hitting realism - and leaves a lingering impact.

Critics Consensus: Mandy's gonzo violence is fueled by a gripping performance by Nicolas Cage -- and anchored with palpable emotion conveyed between his volcanic outbursts.

Directed By: Panos Cosmatos. Critics Consensus: Well-acted and fiendishly frightening with an emotionally affecting story at its core, It amplifies the horror in Stephen King's classic story without losing touch with its heart.

Directed By: Andy Muschietti. Critics Consensus: Don't Look Now patiently builds suspense with haunting imagery and a chilling score -- causing viewers to feel Donald Sutherland and Julie Christie's grief deep within.

Directed By: Nicolas Roeg. Critics Consensus: Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire.

Critics Consensus: Proving once again that build-up is the key to suspense, Alfred Hitchcock successfully turned birds into some of the most terrifying villains in horror history.

Directed By: Alfred Hitchcock. Critics Consensus: The Wailing delivers an atmospheric, cleverly constructed mystery whose supernatural thrills more than justify its imposing length.

Directed By: Na Hong-jin. Critics Consensus: With four accomplished directors contributing, Dead of Night is a classic horror anthology that remains highly influential.

Critics Consensus: Under the Shadow deftly blends seemingly disparate genres to deliver an effective chiller with timely themes and thought-provoking social subtext.

Directed By: Babak Anvari. Critics Consensus: Lean, suspenseful, and scary, Host uses its timely premise to deliver a nastily effective treat for horror enthusiasts.

Directed By: Rob Savage. Critics Consensus: Smart, solidly crafted, and palpably tense, 10 Cloverfield Lane makes the most of its confined setting and outstanding cast -- and suggests a new frontier for franchise filmmaking.

Directed By: Dan Trachtenberg. Critics Consensus: Peeping Tom is a chilling, methodical look at the psychology of a killer, and a classic work of voyeuristic cinema.

Directed By: Michael Powell. Critics Consensus: As thought-provoking as it is visually compelling, The Witch delivers a deeply unsettling exercise in slow-building horror that suggests great things for debuting writer-director Robert Eggers.

Directed By: Robert Eggers. Critics Consensus: The Cabin in the Woods is an astonishing meta-feat, capable of being funny, strange, and scary -- frequently all at the same time.

Directed By: Drew Goddard. Critics Consensus: Roman Polanski's first English film follows a schizophrenic woman's descent into madness, and makes the audience feel as claustrophobic as the character.

Critics Consensus: A horrific tale of guilt and obsession, Eyes Without a Face is just as chilling and poetic today as it was in Directed By: Georges Franju.

Critics Consensus: A frightening tale of Satanism and pregnancy that is even more disturbing than it sounds thanks to convincing and committed performances by Mia Farrow and Ruth Gordon.

Critics Consensus: Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films. Critics Consensus: Director Jonathan Demme's smart, taut thriller teeters on the edge between psychological study and all-out horror, and benefits greatly from stellar performances by Anthony Hopkins and Jodie Foster.

Directed By: Jonathan Demme. Critics Consensus: James Whale's classic The Invisible Man features still-sharp special effects, loads of tension, a goofy sense of humor, and a memorable debut from Claude Rains.

Directed By: James Whale. Critics Consensus: While Alien was a marvel of slow-building, atmospheric tension, Aliens packs a much more visceral punch, and features a typically strong performance from Sigourney Weaver.

Directed By: James Cameron. Critics Consensus: Time has been kind to this horror legend: Freaks manages to frighten, shock, and even touch viewers in ways that contemporary viewers missed.

Critics Consensus: Smart, original, and above all terrifying, It Follows is the rare modern horror film that works on multiple levels -- and leaves a lingering sting.

Directed By: David Robert Mitchell. Critics Consensus: Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling.

Directed By: Tomas Alfredson. Critics Consensus: Hereditary uses its classic setup as the framework for a harrowing, uncommonly unsettling horror film whose cold touch lingers long beyond the closing credits.

Critics Consensus: Full of disorienting visual effects, Carl Theodor Dreyer's Vampyr is as theoretically unsettling as it is conceptually disturbing.

Directed By: Carl Theodor Dreyer. Critics Consensus: One of the best political allegories of the s, Invasion of the Body Snatchers is an efficient, chilling blend of sci-fi and horror.

Directed By: Don Siegel. Critics Consensus: A gripping story brilliantly filmed and led by a pair of powerhouse performances, The Lighthouse further establishes Robert Eggers as a filmmaker of exceptional talent.

Critics Consensus: Still unnerving to this day, Frankenstein adroitly explores the fine line between genius and madness, and features Boris Karloff's legendary, frightening performance as the monster.

Critics Consensus: The Babadook relies on real horror rather than cheap jump scares -- and boasts a heartfelt, genuinely moving story to boot. Directed By: Jennifer Kent.

Critics Consensus: Compelling, well-crafted storytelling and a judicious sense of terror ensure Steven Spielberg's Jaws has remained a benchmark in the art of delivering modern blockbuster thrills.

Critics Consensus: An eccentric, campy, technically impressive, and frightening picture, James Whale's Bride of Frankenstein has aged remarkably well.

Critics Consensus: A Quiet Place artfully plays on elemental fears with a ruthlessly intelligent creature feature that's as original as it is scary -- and establishes director John Krasinski as a rising talent.

Directed By: John Krasinski. Critics Consensus: Smart, well-acted, and above all scary, The Invisible Man proves that sometimes, the classic source material for a fresh reboot can be hiding in plain sight.

Directed By: Leigh Whannell. Critics Consensus: Featuring Robert Mitchum's formidable performance as a child-hunting preacher, The Night of the Hunter is a disturbing look at good and evil.

Directed By: Charles Laughton. Critics Consensus: One of the silent era's most influential masterpieces, Nosferatu's eerie, gothic feel -- and a chilling performance from Max Schreck as the vampire -- set the template for the horror films that followed.

Directed By: F. Critics Consensus: King Kong explores the soul of a monster -- making audiences scream and cry throughout the film -- in large part due to Kong's breakthrough special effects.

Directed By: Ernest B. Critics Consensus: A modern classic, Alien blends science fiction, horror and bleak poetry into a seamless whole.

Directed By: Ridley Scott. Critics Consensus: With Jordan Peele's second inventive, ambitious horror film, we have seen how to beat the sophomore jinx, and it is Us.

Directed By: Jordan Peele. The Cabinet of Dr. Directed By: Robert Wiene. Critics Consensus: Infamous for its shower scene, but immortal for its contribution to the horror genre.

Related News. More Related News. More All-Time Lists. The Worst Remakes of All Time. TRUMP Fuck you. What a Horror-ible list.

Michael Rowland. Whoever made this list is an idiot. SanKa G. Mathew W. James Reyes. Caligari King Kong The Bride of Frankenstein The Babadook Frankenstein Hereditary Let the Right One In It Follows Night of the Living Dead Aliens The Silence of the Lambs Halloween Rosemary's Baby The Invisible Man Eyes Without a Face Pan's Labyrinth The Cabin in the Woods The Witch Don't Look Now Godzilla Gojira Young Frankenstein The Birds The Vanishing Spoorloos Ready or Not Drag Me to Hell House of Wax Carrie Nosferatu: Phantom der Nacht Nosferatu the Vampyre The Evil Dead Evil Dead 2: Dead by Dawn The Loved Ones Dead of Night The Innocents Invasion of the Body Snatchers Dracula The Love Witch Room Werckmeister Harmonies

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Zwei der bekanntesten Filme dieses insgesamt recht kurzlebigen Genres, das nach einem Popularitätshöhepunkt um herum fast vollständig wieder von der Bildfläche verschwand, sind Ruggero Deodatos gedrehter Cannibal Holocaust Nackt und zerfleischt und Umberto Lenzis Cannibal Ferox Die Rache der Kannibalen , Beliebte News. Horror Films Universal Pictures would release two more Poe adaptations later in the decade. Synopsis: Researching urban folklore, a University of Chicago student snoops around the housing projects The Abcs Of Death Cabrini Green to find more about Inthe American photographer-turned director George Albert Smith created The X-Ray Fienda horror-comedy trick film that came out a mere two years after x-rays were invented. TH Buy, rent or watch 'Ginger Snaps'. The film tells Interstellar Trailer Deutsch story of a man, who after getting exposed to a radioactive cloud, gets shrunk in height by several inches. Directed Medusa Marvel Jack Clayton. Paramount Pictures also made horror films in the s, the most popular of Waddeweitz is The Uninvited. Directed By: Galder Gaztelu-Urrutia. Young Frankenstein Sardonicus in Sport 1.De film. has created horror films that have come to define the genre. Up to the present day, horror film directors from around the world tend to end up [ ] on the. Vertrieb und Weitergabe indizierter Filme an Minderjährige können strafrechtlich verfolgt und mit Freiheitsstrafen von bis zu einem Jahr Criminal Intent Besetzung werden. Hauptseite Themenportale Zufälliger Artikel. Nicht lange, aber immerhin. Blackboxtv presents poster image. Profondo Rosso Titel. Ist nicht! Danach wird er selbst zum Wer wolf. The Meg - film. Arthaus Plakat zu "Blair Witch Project". Italienische Klassiker Es fehlen alle italienischen Horrorfilme.

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In the film, a scientist creates a telescope-like device that captures light waves from the Andromeda Galaxy, giving him a way to view the distant past.

He and several colleagues go to Africa to locate a large, unusual meteorite that the light-waves showed fell there a billion years earlier.

After discovering that the meteorite is composed of a poisonous unknown element, "Radium X", he begins to glow in the dark, and his touch becomes deadly.

These radiation effects also begin to slowly drive him mad. Critics noted the tone of the film to be somber, dignified, and tragic. The Invisible Ray is a morality play, particularly given the film's final lines of dialog, uttered nine years before the events of Hiroshima and Nagasaki , by Madame Rukh: "My son, you have broken the first law of science Janos Rukh is dead, but part of him will go on to eternity, working for humanity".

In May , Universal Pictures released a sequel to 's Dracula. The film was called Dracula's Daughter and stars Gloria Holden in the title role. Dracula's Daughter doesn't feature Bela Lugosi or his character, but instead tells the story of Countess Marya Zaleska, the daughter of Count Dracula and herself a vampire.

Following Dracula's death, she believes that by destroying his body she will be free of his influence and live normally. When this fails, she turns to a psychiatrist, played by Otto Kruger.

The Countess kidnaps Janet and takes her to Transylvania, leading to a battle between Dr. Garth and the Countess. While not as successful as the original upon its release, the film was generally well-reviewed.

In the intervening decades, criticism has been deeply divided. Contemporary critics and scholars have noted the film's strong lesbian overtones, which Universal acknowledged from the start of production and exploited in some early advertising.

Universal would completed their initial Dracula trilogy seven years later with Son of Dracula. In , Universal Pictures only released one film in the series.

The film was Night Key , a science fiction crime thriller starring Boris Karloff. In Night Key , Karloff plays an elderly inventor of a burglar alarm who attempts to get back at the man who stole the profits to his invention.

Later, his device is then subverted by gangsters who threatens him and use his own device to facilitate burglaries. Letterboxd users call the film "a delightfully corny, old-fashioned thriller".

In , Universal Pictures did not release any film related to horror, thriller, or science fiction. Instead, they made re-releases of their previous Dracula and Frankenstein films.

It was only in January , a full year and a half after the release of Night Key that the studio continued putting out original horror movies.

It stars Bela Lugosi as a mad scientist who attempts to rule the world by creating various elaborate inventions. In a dramatic fashion, foreign agents and G-Men government men try to seize the inventions for themselves.

A minute feature film version of the film, cut down from the serial's original minutes, was released for television ten years later.

The Phantom Creeps was Universal Pictures' th serial and 44th to have sound. The innovation of the scrolling text version of the synopsis at the beginning of each chapter was used for the Star Wars films as the "Star Wars opening crawl".

On 13 January , Universal Pictures released Son of Frankenstein , the third entry in the studio's Frankenstein series and the last to feature Boris Karloff as the Monster.

It is also the first to feature Bela Lugosi as Ygor. Son of Frankenstein was a reaction to the popular re-releases of Dracula and Frankenstein as double-features in In the film, one of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.

Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein , in which the studio cast both stars Lugosi and Karloff again for the fourth time.

In November , Universal Pictures released their last horror film of the s with the historical and quasi-horror film, Tower of London. Vincent Price , in only his third film, appears as George, Duke of Clarence.

Tower of London is based on the traditional depiction of Richard rising to become King of England in by eliminating everyone ahead of him.

Each time Richard accomplishes a murder, he removes one figurine from a dollhouse resembling a throne room.

Once he has completed his task, he now needs to defeat the exiled Henry Tudor to retain the throne. Other studios followed Universal's lead. MGM 's controversial Freaks frightened audiences at the time, featuring characters played by people who had real deformities,.

The studio even disowned the film, and it remained banned in the United Kingdom, for 30 years. Hyde is remembered for its innovative use of photographic filters to create Jekyll's transformation before the camera.

With the progression of the genre, actors like Boris Karloff and Bela Lugosi were beginning to build entire careers in horror. Early in the decade also, Danish director Carl Theodor Dreyer created the horror fantasy film Vampyr based on elements from J.

The German-produced sound film tells the story of Allan Gray, a student of the occult who enters a village under the curse of a vampire.

According to the book Movies You Must See Before You Die , Vampyr' s "greatness derives partly from Dreyer's handling of the vampire theme in terms of sexuality and eroticism, and partly from its highly distinctive, dreamy look.

Despite the success of The Wolf Man , by the s, Universal's monster movie formula was growing stale, as evidenced by desperate sequels and ensemble films with multiple monsters.

Eventually, the studio resorted to comedy-horror pairings, like Abbott and Costello Meet Frankenstein , which met with some success.

In the year , Universal Pictures released three movies. In January, the Vincent Price -starring The Invisible Man Returns premieres in theaters to commercial success despite its production being plagued with problems.

In September, The Mummy's Hand was released. Although it is sometimes claimed by fans as a sequel or follow-up to The Mummy , it does not continue the film's storyline, or feature any of the same characters.

At the film's release, film critic Bosley Crowther wrote for The New York Times , "It's the usual mumbo-jumbo of secret tombs in crumbling temples and salacious old high priests guarding them against the incursions of an archaeological expedition".

In December, The Invisible Woman was released. It is the third film in the Invisible Man film series.

This film was more of a screwball comedy than other films in the series thus is considered a comedy more than a horror film. The film stars Virginia Bruce in the lead role and the aging John Barrymore in a supporting role.

Reviews from critics were mixed. The propaganda war-horror Invisible Agent , which featured a mad scientist working in secret to aid the Third Reich , and 's The Invisible Man's Revenge.

In , Universal Pictures released a reboot of sort to the studio's werewolf picture Werewolf of London which starred noted character actor Henry Hull in a quite different and more subtle werewolf makeup.

The character of Larry Talbot aka The Wolf Man is considered one of the best classic monsters in the series. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf.

The decade also sees the continuation of Universal Pictures ' consistent releases of horror, suspense and science fiction films.

This comes to be later known as the cult classic Universal Classic Monsters series which began in the s and would later dissipate in the s.

In this decade Lon Chaney Jr. Paramount Pictures also made horror films in the s, the most popular of which is The Uninvited. The film has been noted by contemporary film scholars as being the first film in history to portray ghosts as legitimate entities rather than illusions or misunderstandings played for comedy.

It depicts various supernatural phenomena, including disembodied voices, apparitions, and possession. MGM 's best horror genre contribution of the s would be Albert Lewin 's The Picture of Dorian Gray , which was popularly known for its interesting use of color insert to show Dorian's haunting portrait.

In , Great Britain contributed the anthology horror film Dead of Night. In the film house guests tell at least five supernatural tales, the last of which being the most remembered.

The film's last story, titled The Ventriloquist's Dummy features a ventriloquist tormented by a malevolent puppet. The popularity of movie genres of the s were mostly film noir , melodrama and mystery.

It would then arguably be a stretch to point out that some mystery and thriller films can be considered horror genre contributions of the decade.

Wes Anderson ranked it as the sixth best British film. With advances in technology, the tone of horror films shifted from the Gothic towards contemporary concerns.

A popular horror subgenre began to emerge: the Doomsday film. It is considered to be the most popular and most paranoid films from the golden age of American sci-fi cinema.

In the s, television had arrived and the theatrical market was changing. Producers and exhibitors found new, exciting and enticing ways to keep audiences in theaters.

This is how Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks.

The years through is considered the "Golden Era" of 3-D movies. In a three-dimensional stereoscopic film , the audience's brains are tricked into believing the images projected onto a flat cinema screen are coming to life in full three-dimensional glory.

Those who came to see a 3-D movie inside a theater were given the familiar disposable cardboard anaglyph 3D glasses to wear which will allow them to see the images come to life.

In April , Warner Bros. The film, which stars Vincent Price , tells a story of a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays.

House of Wax was the film that typecast Price as a horror icon. After the release of that film, Price would be labeled the "King of 3-D" and would later become the actor to star in the most 3D features.

The success of these two films proved that major studios now had a method of getting film-goers back into theaters and away from television sets, which were causing a steady decline in attendance.

Aside from 3-D technology, different forms of promotional gimmicks were used to entice film-goers into seeing the films in theaters. One great example is during the screening of 's The Lost Missile , a science fiction film in which scientists try to stop a mysterious missile from destroying the Earth.

Audiences who saw the film in theaters were given "shock tags" to monitor their vitals during the movie.

They were promised that anyone who would get shocked into a comatose state by the film would get a free ride home in a limousine.

Film director and producer William Castle is considered the King of the film gimmick. After directing a cavalcade of B movies low-budget commercial films for Columbia Pictures in the s, Castle set out on the independent route.

This kind of promotional gimmick would later make him famous. Throughout the promotion of this film, Castle explained that through EMERGO, "ghosts and skeletons leave the screen and wander throughout the audience, roam around and go back to the screen".

Of course, in actuality, a skeleton with glowing red eyes was attached to wires above the theater in order to swoop in and float above audience members' heads to parallel the action on the screen.

In the film, Price breaks the fourth wall and warns the audience that the tingler is in the theater which then prompts the built-in electric buzzers to scare audiences in their theater seats.

The s is also well known for creature feature or giant monster movies. These are usually disaster films that focuses on a group of characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones.

The monster is often created by a folly of mankind — an experiment gone wrong, the effects of radiation or the destruction of habitat. The monster can also be from outer space, or has been on Earth for a long time with no one ever seeing it, or released or awakened from a prison of some sort where it was being held.

In monster movies, the monster is usually a villain, but can be a metaphor of humankind's continuous destruction. Warner Bros.

It then begins to wreak a path of destruction as it travels southward, eventually arriving at its ancient spawning grounds, which includes New York City.

The film is also remembered for its influential stop motion model animation created by visual effects creator Ray Harryhausen.

One of the best movies during these years was Night of the Demon Ray Harryhausen created his own form of stop motion model animation called Dynamation.

It involved photographing a miniature against a rear-projection screen through a partly masked pane of glass. The masked portion would then be re-exposed to insert foreground elements from the live footage.

The effect was to make the creature appear to move in the midst of live action. It could now be seen walking behind a live tree, or be viewed in the middle distance over the shoulder of a live actor — effects difficult to achieve before.

That scene spurred on numerous homages in many horror films [87] in subsequent years including 's A Nightmare on Elm Street 3: Dream Warriors , 's Army of Darkness and 's Game of Thrones ' Season 4 episode entitled The Children.

Japan's experience with Hiroshima and Nagasaki bore the well-known Godzilla and its many sequels , featuring mutation from the effects of nuclear radiation.

This kickstarted the tokusatsu trend known as Kaiju films , a Japanese film genre that features giant monsters, usually attacking major cities and engaging the military and other monsters in battle.

Other films in this genre that isn't about Godzilla include Rodan and The Mysterians These include Ghost-Cat of Gojusan-Tsugi , and Black Cat Mansion , which tells a story of a samurai tormented by a cat possessed by the spirits of the people she killed.

Filmmakers continued to merge elements of science fiction and horror over the following decades. The Fly is a American science fiction-horror film starring Vincent Price.

The film tells the story of a scientist who is transformed into a grotesque creature after a common house fly enters unseen into a molecular transporter he is experimenting with, resulting in his atoms being combined with those of the insect, which produces a human-fly hybrid.

It was followed by two black-and-white sequels, Return of the Fly and Curse of the Fly The original film was remade in by director David Cronenberg.

Considered a "pulp masterpiece" [89] of the s was The Incredible Shrinking Man , based on Richard Matheson 's existentialist novel. The film tells the story of a man, who after getting exposed to a radioactive cloud, gets shrunk in height by several inches.

The film conveyed the fears of living in the Atomic Age and the terror of social alienation. It won the first Hugo Award for Best Dramatic Presentation and was named in to the National Film Registry by the Library of Congress for being "culturally, historically or aesthetically" significant.

The independently produced sci-fi film Attack of the 50 Foot Woman was made in The storyline concerns the plight of a wealthy heiress whose close encounter with an enormous alien causes her to grow into a giantess, complicating her marriage already troubled by a philandering husband.

The film has become a cult classic and is often referenced in popular culture. The United Kingdom began to emerge as a major producer of horror films around this time.

Christopher Lee starred in a number of Hammer Horror films, including The Curse of Frankenstein , which Professor Patricia MacCormac called the "first really gory horror film, showing blood and guts in colour".

Horror has been a mainstay of television programming since the s. In the book TV Horror: Investigating the Dark Side of the Small Screen , observed that television has helped shape many generations of horror fans and filmmakers because it provided them their first exposure to cinematic horror as children cowering behind their sofa or peering out from under their blanket [97] In the s, multiple anthology series that feature suspenseful horror stories were broadcast on television.

The Veil is one notable anthology series that starred Boris Karloff as the horror host and characters in the episodes.

Ten of the 12 episodes begin and end with Karloff standing in front of a roaring fireplace and inviting viewers to find out what lies "behind the veil".

Hailed by critics as "the greatest television series never seen", The Veil was never broadcast. Troubles within the studio resulted in production being cancelled after only 10 episodes were produced.

The number of episodes was considered to be too small to justify sale to a network or to syndication. Ten episodes were released to the public in their entirety for the first time in the s, and have subsequently been released on DVD by Something Weird Video.

Premiered in October is the anthology series Alfred Hitchcock Presents which featured dramas, thrillers, mysteries.

It was created, hosted, and produced by Alfred Hitchcock , who by had already directed films for over three decades. Some of the stories in the show were original, some adaptations of writers like H.

Wells , and always had knotty twists and often came to macabre endings, as in the 4 December episode "The Case of Mr.

Pelham," in which a businessman is stalked by a perfect double who usurps his life and drives him insane. The Twilight Zone — has become a staple in horror fiction since its premiere in October Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror.

The phrase "twilight zone," is used today to describe surreal experiences. An iconic episode which premiered on 20 November is Time Enough at Last which tells the story of a bank teller who yearns for more time to read and gets his wish when he becomes the sole survivor of a nuclear holocaust.

Other notable horror anthologies in the s include The Vampira Show , which was presented by Maila Nurmi , considered to be television's first horror host , dressed as her iconic campy Vampira character, and 13 Demon Street , which was hosted by Lon Chaney Jr.

Released in May , the British psychological horror thriller film , Peeping Tom by Michael Powell , is a progenitor of the contemporary " slasher film ", [] though Alfred Hitchcock cemented the subgenre with Psycho released also in the same year.

Instead, he helped pioneer the art of psychological suspense. As a result, he managed to frighten his viewers by getting to the root of their deepest fears.

France continued the mad scientist theme with the film Eyes Without a Face The story follows Parisian police in search of the culprit responsible for the deaths of young women whose faces have been mutilated.

Meanwhile, Italian horror films became internationally notable thanks to Mario Bava 's contributions. In this film, Bava turned a Russian folk legend into a beguiling fairly tale about a young doctor who finds himself stranded in a haunted community and falls for a woman whose body become possessed by a woman executed for witchcraft.

In the United States, gimmicks continued to be used to entice film-goers into theaters. William Castle 's horror film 13 Ghosts was shot in " Illusion-O ", where audiences were given a "supernatural viewer" that they could wear to see hidden ghosts in the film.

They will need to search the house to find the doctor's fortune, but along with the property they have also inherited the occultist's collection of thirteen ghosts.

In , Castle made Mr. It tells the story of a man whose face becomes frozen in a horrifying grin while robbing his father's grave to obtain a winning lottery ticket.

During the promotion of the film, Castle introduced the "punishment poll" where the audiences decide what happens to Mr. Sardonicus in the film.

All they had to do was hold up a "thumbs up" ballot if they wanted Mr. Sardonicus go free or "thumbs down" if they want to punish him. Supposedly no audience ever voted for life over death, so the film continues as if the audience's majority verdict was seriously counted.

A "fright break" was featured during the film where the audiences are shown a timer over the terrifying climax.

The audiences who are too frightened to see the end of the film are given 25 seconds to walk out of the theater and into the "coward's corner" where they could get a full refund of their ticket and a free blood pressure test.

Before you could see the film inside the theaters, you had to pass a 13 question test that included such questions as " Did you ever do anything seriously wrong for which you felt little or no guilt?

If audiences failed any of the questions they wouldn't be allowed inside the theater. The American International Pictures AIP , in the early 60s, made a series of films based on stories by Edgar Allan Poe , most of which star Vincent Price , who became well known for his performances in subsequent horror films of the time.

Robert Wise's The Haunting is considered by a great many critics, aficionados, and casual fans of the horror genre to be one of the scariest films of all time.

The film is best known for its brilliant use of canted frames, mirror reflections, fish-eye lenses and uncanny sound and image editing. Roman Polanski made his first film in English with Repulsion , which is considered to be his scariest and most disturbing work.

Polanski's "evocations of sexual panic and masterful use of sound puts the audiences' imagination to work in numerous ways". Horror films of the s used the supernatural premise to express the horror of the demonic.

Jack Clayton's The Innocents tell the story of a governess who fears that the children she is watching over are possessed by ghosts haunting the estate they are staying.

A few years later, Roman Polanski wrote and directed Rosemary's Baby , based on the bestselling horror novel by Ira Levin. The highly influential film tells the story of a pregnant woman who suspects that an evil cult wants to take her baby for use in their rituals.

Meanwhile, ghosts were a dominant theme in Japanese horror , in such films as Kwaidan , Onibaba both and Kuroneko Another influential American horror film of the 60s was George A.

Romero 's Night of the Living Dead Considered to be the first true zombie movie, the film began to combine psychological insights with gore.

Distancing the era from earlier gothic trends, late s films brought horror into everyday life. Low-budget splatter films from the likes of Herschell Gordon Lewis also gained prominence in the s.

Some of Lewis' notorious works include Two Thousand Maniacs! The series centers on a group of teenagers and their dog who go to abandoned places to solve mysteries involving supposedly supernatural creatures through a series of antics and missteps.

The animated series' simple formula had a major impact on future slasher films especially of its portrayal of villains in masks.

The s began a new age for horror films with the transition from "classic" to modern horror. Horror films started to focus more on aggressiveness and ruthlessness while also focusing more on artistic qualities and societal themes.

The s was an era dominated by American horror films. Unlike the past, which was influenced heavily by European film-makers, Americans breathed a new life into the genre.

Modern horror films took the expected roles of characters in the films and changed them. This era changed the usual setting for horror films, using every-day settings.

Along with this came a change from focusing on defeating evil every time to having some instances where good fails before succeeding.

Invincible to human intervention, demons became villains in many horror films with a postmodern style and a dystopian worldview.

Its focus on the psychology of grief was unusually strong for a film featuring a supernatural horror plot.

Another notable film is The Wicker Man , a British mystery horror film dealing with the practice of ancient pagan rituals in the modern era.

In the s, Italian filmmakers Mario Bava , Riccardo Freda , Antonio Margheriti , and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries.

The ideas of the s began to influence horror films in the 70s, as the youth involved in the counterculture began exploring the medium.

Romero satirized the consumer society in his zombie sequel, Dawn of the Dead Meanwhile, the subgenre of comedy horror re-emerged in the cinema with The Abominable Dr.

Also in the s, the works of the horror author Stephen King began to be adapted for the screen, beginning with Brian De Palma 's adaptation of Carrie , King's first published novel, for which the two female leads Sissy Spacek and Piper Laurie gained Oscar nominations.

Next, was his third published novel, The Shining , directed by Stanley Kubrick , which was a sleeper at the box office.

At first, many critics and viewers had negative feedback toward The Shining. However, the film is now known as one of Hollywood's most classic horror films.

This psychological horror film has a variety of themes: "evil children", alcoholism, telepathy , and insanity. This type of film is an example of how Hollywood's idea of horror started to evolve.

Murder and violence were no longer the main themes of horror films. In the s and s, psychological and supernatural horror started to take over cinema.

Another classic Hollywood horror film is Tobe Hooper 's Poltergeist Poltergeist is ranked the 20th scariest movie ever made by the Chicago Film Critics Association.

Both The Shining and Poltergeist involve horror being based on real-estate values. The evil and horror throughout the films come from where the movies are taking place.

The Amityville Horror is a supernatural horror film directed by Stuart Rosenberg , based on Jay Anson 's book of the same name.

It stars James Brolin and Margot Kidder as a young couple who purchase a home they come to find haunted by combative supernatural forces.

The Changeling is a Canadian supernatural psychological horror film directed by Peter Medak. Steven Spielberg 's shark horror film, Jaws , began a new wave of killer animal stories, such as Orca and Up from the Depths Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big-budget Hollywood film.

In , Don Coscarelli 's Phantasm was the first of the Phantasm series. A cycle of slasher films began in the s and s with the creation of Halloween by John Carpenter.

Another notable s slasher films are Bob Clark 's Black Christmas Sleepaway Camp is known for its twist ending , which is considered by some to be one of the most shocking endings among horror films.

My Bloody Valentine is a slasher film dealing with Valentine's Day fiction. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 14th , Student Bodies , National Lampoon's Class Reunion , and Hysterical This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades.

Sean S. Some films explored urban legends such as " The babysitter and the man upstairs ". Alien , a British-American science-fiction horror film directed by Ridley Scott was very successful, receiving both critical acclaim and being a box office success.

John Carpenter's movie The Thing was also a mix of horror and sci-fi, but it was neither a box-office nor critical hit, but soon became a cult classic.

However, nearly 20 years after its release, it was praised for using ahead-of-its-time special effects and paranoia. The s saw a wave of gory "B movie" horror films — although most of them were poorly reviewed by critics, many became cult classics and later saw success with critics.

A significant example is Sam Raimi 's Evil Dead movies, which were low-budget gorefests but had a very original plotline which was later praised by critics.

The horror anthology film spawned a series of films in the country over the subsequent decades. Day of the Dead is a horror film written and directed by George A.

Romero and the third film in Romero's Night of the Living Dead series. Vampire horror was also popular in the s, including cult vampire classics such as Fright Night , The Lost Boys , and Near Dark also In , Joe Dante 's seminal monster comedy horror Gremlins became a box office hit with critics and audiences, and inspired a trend of "little monster" films such as Critters and Ghoulies.

Several science fiction action horror movies were released in the s, notably Aliens and Predator Notable comedy horror films of the s include Re-Animator , and Night of the Creeps Henry: Portrait of a Serial Killer is a psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity.

Pumpkinhead is a dark fantasy horror film, which is the directorial debut of special effects artist Stan Winston.

In the late s, the horror genre suffered in the television market. Most viewers leaned toward safe material, [] such as soap operas, sitcoms, and fictional tellings of real-life events, and any horror content that did air on television suffered from network censorship, commercial breaks, low budgets, and "cheesy execution.

In the first half of the s, the genre still contained many of the themes from the s. The slasher films A Nightmare on Elm Street , Friday the 13th , Halloween , and Child's Play all saw sequels in the s, most of which met with varied amounts of success at the box office, but all were negatively reviewed by critics, with the exception of Wes Craven's New Nightmare , and the hugely successful film, The Silence of the Lambs The latter, which stars Jodie Foster and Anthony Hopkins , is considered a major horror movie of all times.

Each film touched upon the relationship between fictional horror and real-world horror. Candyman , for example, examined the link between an urban legend and the real horror of the racism that produced its villain.

In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down.

This reflective style became more overt and ironic with the arrival of Scream In Interview with the Vampire , the "Theatre de Vampires" and the film itself, to some degree invoked the Grand Guignol style, perhaps to further remove the undead performers from humanity, morality and class.

In the novel, The Vampire Lestat , by the author Anne Rice who penned Interview with the Vampire ' s screenplay and the novel of the same name suggests that its antihero Lestat inspired and nurtured the Grand Guignol style and theatre.

Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties.

Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science-fiction and fantasy films, courtesy of advances made in computer-generated imagery.

To re-connect with its audience, horror became more self-mockingly ironic and outright parodic , especially in the latter half of the s.

Peter Jackson's Braindead known as Dead Alive in the United States took the splatter film to ridiculous excesses for comic effect.

Wes Craven's Scream written by Kevin Williamson movies, starting in , featured teenagers who were fully aware of, and often made reference to, the history of horror movies, and mixed ironic humour with the shocks.

The Sixth Sense is a supernatural horror film written and directed by M. Night Shyamalan , which tells the story of Cole Sear Haley Joel Osment , a troubled, isolated boy who is able to see and talk to the dead, and an equally troubled child psychologist named Malcolm Crowe Bruce Willis who tries to help him.

It is a remake of the film of the same title. Monster horror was quite popular in the s. Tremors is the first installment of the Tremors series.

Lake Placid is another monster horror film, written by David E. Kelley and directed by Steve Miner. Another successful horror film is Ring , a Japanese supernatural psychological horror film about a cursed video tape after the person watches it, the phone rings, and someone tells them that they will die in seven days , and directed by Hideo Nakata.

Around this period, Japanese horror started becoming popular in English speaking countries. In South Korea, the success of supernatural horror film Whispering Corridors by Park Ki-hyung, sparked the explosion of Korean horror.

The film The Last Broadcast served as inspiration for the highly successful The Blair Witch Project , which popularized the found footage horror subgenre.

The theme of witchcraft was also addressed in The Witches , starring Anjelica Huston , and The Craft , a supernatural horror film directed by Andrew Fleming.

Wolf is a romantic horror film following the transformation of a man Jack Nicholson into a werewolf. Ravenous starring Guy Pearce and directed by Antonia Bird is a "quirky" [] and gruesome movie based on the real life horror story of the Donner party that got stranded in the Sierra Nevada mountains in due to snow.

The decade started with American Psycho directed by Mary Harron starring Christian Bale as a charismatic serial killer and Manhattan business mogul.

The movie was highly controversial when released and remains a cult classic today. The film received mixed reviews from critics.

By contrast, Valentine was a conventional horror film. It had some success at the box office, but was derided by critics for being formulaic and relying on foregone horror film conventions.

The Others was hugely successful, winning and being further nominated for many awards. It is a English-language Spanish gothic supernatural psychological horror film.

It stars Nicole Kidman and Fionnula Flanagan. Sequels, such as Jason X and Freddy vs. Jason also made a stand in theaters.

Final Destination marked a successful revival of teen-centered horror and spawned five installments. Jeepers Creepers series was also successful.

Films such as Hollow Man , Cabin Fever , House of Corpses the latter an exploitation horror film written, co-scored and directed by Rob Zombie in his directorial debut and the previous mentions helped bring the genre back to Restricted ratings in theaters.

Van Helsing and Underworld series had huge box office success, despite mostly negative reviews by critics. Ginger Snaps is a Canadian film dealing with the tragic transformation of a teenage girl who is bitten by a werewolf.

Signs revived the science fiction alien theme. The Descent , a British adventure horror film written and directed by Neil Marshall was also successful.

Another notable film is Drag Me to Hell , a American supernatural horror film co-written and directed by Sam Raimi.

The Strangers deals with unprovoked stranger-on-stranger violence. The House of the Devil is inspired by the " satanic panic " of the s.

Trick 'r Treat is a anthology horror film written and directed by Michael Dougherty and produced by Bryan Singer. Black Water is a British-Australian natural horror film.

Another natural adventure horror film is The Ruins , which is based on the novel of the same name by Scott Smith. The story focuses on an Alaskan town beset by vampires as it enters into a day long polar night.

Comic book adaptations like the Blade series, Constantine , and Hellboy also became box office successes. The Resident Evil video games were adapted into a film released in March , and several sequels followed.

Other video game adaptations like Doom and Silent Hill also had moderate box office success. Some pronounced trends have marked horror films.

Films from non-English language countries have become successful. The Devil's Backbone is such an example. A French horror film Brotherhood of the Wolf became the second-highest-grossing French language film in the United States in the last two decades.

Martyrs , a French-Canadian horror film, was controversial upon its release, receiving polarizing reviews.

Another notable film is The Orphanage , a Spanish horror film and the debut feature of Spanish filmmaker J.

Shutter is a Thai horror film which focuses on mysterious images seen in developed pictures. Cold Prey is a Norwegian slasher film directed by Roar Uthaug.

Another trend is the emergence of psychology to scare audiences, rather than gore. The Others proved to be a successful example of a psychological horror film.

A minimalist approach which was equal parts Val Lewton's theory of "less is more", usually employing the low-budget techniques utilized on The Blair Witch Project , has been evident, particularly in the emergence of Asian horror movies which have been remade into successful Americanized versions, such as The Ring , The Grudge , Dark Water , and Pulse In March , China banned the movies from its market.

What Lies Beneath is a supernatural horror film directed by Robert Zemeckis , starring Harrison Ford and Michelle Pfeiffer as a couple who experience a strange haunting of their home.

The psychological horror film, was released in , it is based on Stephen King's short story of the same name. The films I Am Legend , Quarantine , Zombieland , and 28 Days Later featured an update of the apocalyptic and aggressive zombie genre.

The latter film spawned a sequel: 28 Weeks Later An updated remake of Dawn of the Dead soon appeared as well as the zombie comedy Shaun of the Dead and Spanish -Cuban comedy zombie film Juan of the Dead This resurgence led George A.

The Australian film Wolf Creek written, co-produced, and directed by Greg McLean revolves around three backpackers who find themselves taken captive and after a brief escape, hunted down by Mick Taylor in the Australian outback.

The film was marketed as being "based on true events", the plot bore elements reminiscent of the real-life murders of tourists by Ivan Milat in the s, and Bradley Murdoch in , and contained more extreme violence.

An extension of this trend was the emergence of a type of horror with emphasis on depictions of torture, suffering, and violent deaths, variously referred to as "horror porn", "torture porn", "splatterporn", and "gore-nography" with films such as Ghost Ship , The Collector , Saw , Hostel , and their respective sequels, frequently singled out as examples of emergence of this subgenre.

Cloverfield is another found footage horror film. The Mist is a science-fiction horror film based on the novella of the same name by Stephen King.

Antichrist is an English-language Danish experimental horror film written and directed by Lars von Trier , and starring Willem Dafoe and Charlotte Gainsbourg.

The Exorcism of Emily Rose is a legal drama horror film directed by Scott Derrickson , loosely based on the story of Anneliese Michel. The Children is British horror film focusing on the mayhem created by several children.

Another British horror film is Eden Lake. Remakes of earlier horror films became routine in the s. In addition to the remake of Dawn of the Dead , as well as the remake of both Herschell Gordon Lewis ' cult classic, Maniacs , and the remake of Tobe Hooper 's classic, The Texas Chainsaw Massacre , there was also the Rob Zombie -written and -directed remake of John Carpenter's Halloween.

It was negatively reviewed by most critics, [] [] but was a success in its theatrical run, spurring its own sequel.

This film helped to start a "reimagining" riot in horror filmmakers. The film, Carrie , saw its second remake in , which is the third film adaptation of Stephen King 's novel of the same name.

Child's Play saw a sequel with Curse of Chucky , while Hellraiser: Judgment become the tenth installment in the Hellraiser film series. Halloween is a slasher film which is the eleventh installment in the Halloween film series , and a direct sequel to the film of the same name , while effecting a retcon of all previous sequels.

The Evil Dead is the fourth installment in the Evil Dead series , and serves as a soft reboot of the original film , and as a continuation to the original film trilogy.

Serialized, found footage style web videos featuring Slender Man became popular on YouTube in the beginning of the decade.

Such series included TribeTwelve , EverymanHybrid , and Marble Hornets , the latter of which has been adapted into a feature film.

Slender Man is supernatural horror film, based on the character of the same name. The character as well as the multiple series is credited with reinvigorating interest in found footage as well as urban folklore.

Also, many popular horror films have had successful television series made: Psycho spawned Bates Motel , The Silence of the Lambs spawned Hannibal , and both Scream and Friday the 13th had TV series in development.

You're Next and The Cabin in the Woods led to a return to the slasher genre. The latter was intended also as a critical satire of torture porn.

Hell Fest and Haunt are also slashers set on Halloween night. Scary Stories to Tell in the Dark is based on the children's book series of the same name by Alvin Schwartz , and is set in , in the small town of Mill Valley, Pennsylvania, starting on Halloween night.

The Green Inferno pays homage to the controversial horror film, Cannibal Holocaust The Australian psychological horror film, The Babadook directed by Jennifer Kent received critical acclaim and won many awards.

It Follows subverted traditional horror tropes of sexuality and slasher films and enjoyed commercial and critical success. The Conjuring Universe is a series of horror films which deal with the paranormal.

Sinister is a British-American supernatural horror film directed by Scott Derrickson and written by Derrickson and C. Robert Cargill.

Insidious is another series of supernatural horror films and includes Insidious , Insidious: Chapter 2 , Insidious: Chapter 3 , and Insidious: The Last Key The Witch is a historical period supernatural horror film written and directed by Robert Eggers in his directorial debut , which follows a Puritan family encountering forces of evil in the woods beyond their New England farm.

Get Out received universal acclaim from critics and audiences alike. Its plot follows a black man who uncovers a disturbing secret when he meets the family of his white girlfriend.

A Quiet Place is a critically acclaimed post-apocalyptic science-fiction horror film with a plot that follows a family who must live life in silence while hiding from extraterrestrial creatures that arrived on earth on fragments from their exploded home planet, and which hunt exclusively by sound.

Annihilation is another successful science-fiction horror film. Hereditary follows a family haunted after the death of their secretive grandmother.

Midsommar , also by Ari Aster who directed Hereditary , is a folk horror film which follows a group of friends who travel to Sweden for a festival that occurs once every 90 years, only to find themselves in the clutches of a pagan cult.

Assassination Nation follows a group of teenage girls who are targeted in a social media witch hunt that spills the darkest secrets of the entire town's residents, leading to mass riots and violent killings among the citizens.

The film is a socio-political horror thriller that attempted to address issues such as toxic masculinity , trigger warnings , slut-shaming , sexism , violence against women and transphobia.

Films such as Brightburn , The Prodigy , Freaks , Eli , Wildling , are centered on children with uncharacteristic powers or traits.

Art and creation are explored in Bliss and Velvet Buzzsaw Survival horror is present in films such as Sweetheart , Crawl , 47 Meters Down , and its squeal, 47 Meters Down: Uncaged Get Out addresses modern racism and the concept of slavery by following an African-American man as he makes a chilling discovery regarding his white girlfriend's upper-class family.

Peele's sophomore film, Us , addresses social class and privilege as it follows a family terrorized by their murderous doppelgängers. Various themes were addressed in the horror of this period.

Horror films which deal with troubled teens include Excision and Split The Autopsy of Jane Doe depicts coroners who experience supernatural phenomena while examining the body of an unidentified woman.

The Purge is an action horror film series, consisting of four films and a television series , which are based on a future dystopian United States, where all crime is made legal once a year.

Contracted , Starry Eyes , and American Mary deal with body horror. Kill List is a British crime drama psychological horror film which deals with contract killers.

The Hallow follows a family who go to a remote rural place in Ireland and have to deal with demonic creatures living in the woods.

Prometheus and Alien: Covenant address extraterrestrial themes. Friend Request and The Den are examples of cyber horror.

The Neon Demon follows an aspiring model in Los Angeles whose beauty and youth generate intense fascination and jealousy within the industry.

Horror depicts a group of wealthy 7th grade girls who face a night of terror together after a social network game spirals out of control.

The Other Side of the Door deals with a mother who attempts to use a ritual to meet her dead son for a last time to say goodbye, but misuses the ritual.

Truth or Dare follows a group of college students who play a game of truth or dare? Ouija: Origin of Evil focuses on a widow and her family adding a Ouija board to their phony seance business where, unbeknownst to them, they invite a spirit that possesses the youngest daughter.

The Blackcoat's Daughter also known as February is a American-Canadian supernatural psychological horror film which follows two Catholic schoolgirls who get left behind at their boarding school over winter break, where the nuns are rumored to be satanists.

The Hole in the Ground is a supernatural horror film that follows the story of a young woman who begins to suspect that her son's disturbing behavior is linked to a mysterious sinkhole.

The slasher film, Happy Death Day follows a college student who is murdered on her birthday and begins reliving the day repeatedly, at which point she sets out to find the killer and stop her death.

In late , Netflix premiered the post-apocalyptic thriller film Bird Box which became an internet sensation even well into January The film follows a woman, played by Sandra Bullock , who, along with a pair of children, must make it through a forest and river.

They must do so blindfolded, to avoid supernatural entities that seemingly cause people who look at them to die by suicide.

The hashtag BirdBox trended for weeks. People shared memes in regards to the movie, even inspiring the "Bird Box blindfold challenge" in which participants wear blindfolds while trying to do day-to-day activities.

By the late s, horror became the most lucrative genre for independent films in the US. Changes in distribution strategies, such as the shrinking American home video market, hit other genres harder than horror, and breakout successes proved theatrical distribution to be viable.

Although hardcore horror films remained a niche, crossover films appealed to both horror and arthouse crowds, driven by positive critical reviews and word-of-mouth.

Films with a novelty concept can capitalize on viral media coverage to receive enough views on ad-based sites that it covers their costs even if viewers only watch to the first commercial.

Comedy horror combines elements of comedy and horror film. The comedy horror genre often crosses over with the black comedy genre. It occasionally includes horror films with lower ratings that are aimed at a family audience.

Folk horror typically includes a rural setting and themes of isolation, religion, the power of nature, and the potential darkness of rural landscapes.

The found footage horror film "technique" gives the audience a first person view of the events on screen, and presents the footage as being discovered after.

Horror films which are framed as being made up of "found-footage" merge the experiences of the audience and characters, which may induce suspense, shock, and bafflement.

Gothic horror incorporates elements of Gothic literature, including romance, dread, and the supernatural. Natural horror is a subgenre of horror films "featuring nature running amok in the form of mutated beasts, carnivorous insects, and normally harmless animals or plants turned into cold-blooded killers.

Slasher horror is a horror subgenre, which involving a killer murdering a group of people, usually by use of bladed tools.

Teen horror is a horror subgenre that victimizes teenagers while usually promoting strong, anti-conformity teenage leads, appealing to young generations.

This subgenre often depicts themes of sex, under-aged drinking, and gore. It was most popular in and In a study done by Uri Hasson et al.

This study used the inter-subject correlation analysis ISC method of determining results. It was shown that audience members tend to focus on certain facets in a particular scene simultaneously and tend to sit as still as possible while watching horror films.

In another study done by Glenn Sparks, it was found that the audience tends to experience the excitation transfer process ETP which causes a physiological arousal in audience members.

Audience members with positive feedback regarding the horror film have feelings similar to happiness or joy felt with friends, but intensified.

Alternatively, audience members with negative feedback regarding the film would typically feel emotions they would normally associate with negative experiences in their life.

The population that does not enjoy horror films could experience emotional fallout similar to that of PTSD if the environment reminds them of particular scenes.

In a study by Jacob Shelton, the many ways that audience members are manipulated through horror films was investigated in detail. The meaning of mirrors in horror films is that they create visual depth that builds tension.

Tight framing is another technique used, where an entire scene can be created with a close-up. In a study by Medes et al. Another technique used in horror films to provoke a response from the audience is cognitive dissonance , which is when someone experiences tension in themselves and is urged to relieve that tension.

Skin conductance responses SCRs , heart rate HR , and electromyographic EMG responses vary in response to emotional stimuli, showing higher for negative emotions in what is known as the "negative bias.

Horror films' evolution throughout the years has given society a new approach to resourcefully utilize their benefits.

The horror film style has changed over time, but, in , Scream set off a "chain of copycats", leading to a new variety of teenage, horror movies.

Horror films' income expansion is only the first sign of the influences of horror flicks. The role of women and how women see themselves in the movie industry has been altered by the horror genre.

Early horror films such as My Bloody Valentine , Halloween , and Friday the 13th were produced mostly for male audiences in order to "feed the fantasies of young men".

Many early horror films created great social and legal controversy. In the U. Follow Us. Adjusted Score: Critics Consensus: If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.

Directed By: Mary Harron. Critics Consensus: The rare slasher with enough intelligence to wind up the tension between bloody outbursts, Black Christmas offers fiendishly enjoyable holiday viewing for genre fans.

Directed By: Bob Clark. Critics Consensus: Scanners is a dark sci-fi story with special effects that'll make your head explode.

Directed By: David Cronenberg. Critics Consensus: A Nightmare on Elm Street 3: Dream Warriors offers an imaginative and surprisingly satisfying rebound for a franchise already starting to succumb to sequelitis.

Directed By: Chuck Russell. Critics Consensus: With an outrageous premise played completely straight, Black Sheep is a violent, grotesque, and very funny movie that takes B-movie lunacy to a delirious extreme.

Directed By: Jonathan King. Critics Consensus: Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations -- and features some terrific performances to boot.

Directed By: Francis Ford Coppola. Critics Consensus: Elevated by writer-director Clive Barker's fiendishly unique vision, Hellraiser offers a disquieting - and sadistically smart - alternative to mindless gore.

Directed By: Clive Barker. Critics Consensus: Tough and unpleasant, It's Alive throttles the viewer with its bizarre mutant baby theatrics. Starring: John P.

Directed By: Larry Cohen. Critics Consensus: Even with its disorienting leaps of logic and structure, Jacob's Ladder is an engrossing, nerve-shattering experience.

Directed By: Adrian Lyne. Critics Consensus: A low budget thriller with some intense moments. Directed By: Chris Kentis.

Critics Consensus: Frank Darabont's impressive camerawork and politically incisive script make The Mist a truly frightening experience.

Directed By: Frank Darabont. Critics Consensus: With little gore and a lot of creepy visuals, The Ring gets under your skin, thanks to director Gore Verbinski's haunting sense of atmosphere and an impassioned performance from Naomi Watts.

Directed By: Gore Verbinski. Critics Consensus: Phantasm: Remastered adds visual clarity to the first installment in one of horror's most enduring -- and endearingly idiosyncratic -- franchises.

Starring: A. Directed By: Don Coscarelli. Critics Consensus: Creepy and disturbing, Frailty is well-crafted, low-key horror. Directed By: Bill Paxton.

Critics Consensus: Frightening, funny, and packed with action, Dog Soldiers is well worth checking out for genre fans -- and marks writer-director Neil Marshall as a talent to keep an eye on.

Directed By: Neil Marshall. Critics Consensus: While Basket Case definitely delivers all the gonzo gore promised by its cracked premise, it's really set apart by its rich vein of genuine pathos.

Directed By: Frank Henenlotter. Directed By: James Watkins. Critics Consensus: Though it ultimately sacrifices some mystery in the name of gory thrills, Candyman is a nuanced, effectively chilling tale that benefits from an interesting premise and some fine performances.

Directed By: Bernard Rose. Critics Consensus: With an emphasis on dread over gore and an ending that leaves the door wide open for sequels, Oculus could be just the first spine-tingling chapter in a new franchise for discerning horror fans.

Directed By: Mike Flanagan. Critics Consensus: George A. Directed By: George A. Critics Consensus: Valley Girl culture satire Night of the Comet gets lots of mileage out of its slapstick sci-fi zombie approach.

Directed By: Thom Eberhardt. Critics Consensus: Wes Craven's New Nightmare adds an unexpectedly satisfying - not to mention intelligent - meta layer to a horror franchise that had long since lost its way.

Directed By: Wes Craven. Critics Consensus: A deftly crafted tribute to Halloween legends, Trick 'r' Treat hits all the genre marks with gusto and old fashioned suspense.

Directed By: Michael Dougherty. Critics Consensus: Flawed but eminently watchable, Joel Schumacher's teen vampire thriller blends horror, humor, and plenty of visual style with standout performances from a cast full of young s stars.

Directed By: Joel Schumacher. Critics Consensus: Led by an impressive Riley Keough performance, The Lodge should prove a suitably unsettling destination for fans of darkly atmospheric horror.

Critics Consensus: Horror icon Wes Craven's subversive deconstruction of the genre is sly, witty, and surprisingly effective as a slasher film itself, even if it's a little too cheeky for some.

Critics Consensus: Southbound doesn't entirely avoid the jarring shifts common to anthology films, but thanks to some thrilling twists and turns, this horror road movie is a surprisingly smooth ride.

Critics Consensus: Lights Out makes skillful use of sturdy genre tropes -- and some terrific performances -- for an unsettling, fright-filled experience that delivers superior chills without skimping on story.

Directed By: David F. Critics Consensus: While it may feel muddled at times, The Platform is an inventive and captivating dystopian thriller.

Directed By: Galder Gaztelu-Urrutia. Critics Consensus: The Brood is a grotesque, squirming, hilariously shrill exploration of the bizarre and deadly side of motherhood.

Critics Consensus: The Cat O'Nine Tails is a solidly entertaining Argento outing elevated by a well-chosen cast and the director's distinctive visual style.

Directed By: Dario Argento. Directed By: Anthony Waller. Critics Consensus: You're Next's energetic and effective mix of brutal gore and pitch black humor will please horror buffs and beyond.

Directed By: Adam Wingard. Critics Consensus: Visually audacious, disorienting, and just plain weird, Videodrome's musings on technology, entertainment, and politics still feel fresh today.

Critics Consensus: The stylish Thirst packs plenty of bloody thrills to satisfy fans of both vampire films and director Chan Wook Park.

Directed By: Park Chan-wook. Critics Consensus: An audacious, unsettling Japanese horror film from director Takashi Miike, Audition entertains as both a grisly shocker and a psychological drama.

Directed By: Takashi Miike. Critics Consensus: This anthology contains brutal, powerful horror stories by three of Asia's top directors.

Critics Consensus: Dead Ringers serves up a double dose of Jeremy Irons in service of a devilishly unsettling concept and commandingly creepy work from director David Cronenberg.

Starring: David A. Critics Consensus: As with the first film, Scream 2 is a gleeful takedown of scary movie conventions that manages to poke fun at terrible horror sequels without falling victim to the same fate.

Critics Consensus: Relying on psychological tension rather than overt violence and gore, is a genuinely creepy thriller with a strong lead performance by John Cusack.

Starring: John Cusack , Samuel L. Critics Consensus: Restrained but disturbing, A Tale of Two Sisters is a creepily effective, if at times confusing, horror movie.

Directed By: Kim Jee-woon. Critics Consensus: Ouija: Origin of Evil swerves its franchise's planchette unexpectedly to YES with a surprisingly scary and dramatically satisfying follow-up to its lackluster predecessor.

Critics Consensus: Witty and restrained but still taut and funny, this Pontypool is a different breed of low-budget zombie film.

Directed By: Bruce McDonald. Critics Consensus: Lean and solidly crafted, The Shallows transcends tired shark-attack tropes with nasty thrills and a powerful performance from Blake Lively.

Directed By: Jaume Collet-Serra. Critics Consensus: Shadow of the Vampire is frightening, compelling, and funny, and features an excellent performance by Willem Dafoe.

Directed By: E. Elias Merhige. Critics Consensus: Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past.

Directed By: Ti West. Tucker and Dale vs. Directed By: Eli Craig. Critics Consensus: Guy Maddin's film is a richly sensuous and dreamy interpretation of Dracula that reinvigorates the genre.

Directed By: Guy Maddin. Critics Consensus: The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy.

Critics Consensus: A solid, atmospheric creature feature that entertains without attempting to be deeper than it needs. Directed By: Jack Arnold.

Critics Consensus: An affectionate throwback to s creature features, Tremors reinvigorates its genre tropes with a finely balanced combination of horror and humor.

Directed By: Ron Underwood. Critics Consensus: A smart, odball take on found-footage horror, Creep is clever and well-acted enough to keep viewers on the edges of their seats.

Starring: Mark Duplass , Patrick Brice. Directed By: Patrick Brice. Critics Consensus: Carnival of Souls offers delightfully chilling proof that when it comes to telling an effective horror story, less can often be much, much more.

Directed By: Herk Harvey. Critics Consensus: Plunging viewers into the nightmarish hellscape of an apartment complex under siege, [Rec] proves that found footage can still be used as an effective delivery mechanism for sparse, economic horror.

Critics Consensus: Using its low-budget effects and mockumentary method to great result, Paranormal Activity turns a simple haunted house story into 90 minutes of relentless suspense.

Directed By: Oren Peli. Critics Consensus: The Conjuring 2 can't help but lose a bit of its predecessor's chilly sting through familiarity, but what remains is still a superior ghost story told with spine-tingling skill.

Directed By: James Wan. Critics Consensus: The strong female cast and biting satire of teenage life makes Ginger Snaps far more memorable than your average werewolf movie -- or teen flick.

Directed By: John Fawcett. Critics Consensus: Dark, violent, and drenched in dread, Goodnight Mommy is perfect for extreme horror enthusiasts -- or filmgoers who prefer to watch between splayed fingers.

Critics Consensus: Smart, suspenseful, and visually distinctive, Julia's Eyes marks another modern Spanish thriller that quickens the pulse while engaging the mind.

Directed By: Guillem Morales. Critics Consensus: Clever yet clearly indebted to the masters of the genre, Sisters offers an early glimpse of De Palma at his stylishly crafty peak.

Directed By: Brian DePalma. Critics Consensus: Cargo takes a refreshingly character-driven approach to the zombie genre that's further distinguished by its Australian setting and Martin Freeman's terrific lead performance.

Critics Consensus: A slimy, B-movie homage oozing with affection for low-budget horror films, Slither is creepy and funny -- if you've got the stomach for it.

Critics Consensus: Campy by modern standards but spooky and atmospheric, House on Haunted Hill is a fun, well-executed cult classic featuring a memorable performance from genre icon Vincent Price.

Directed By: William Castle. Critics Consensus: Smartly filmed, tightly scripted, and -- most importantly -- consistently frightening, Poltergeist is a modern horror classic.

Nelson , Beatrice Straight , Dominique Dunne. Directed By: Tobe Hooper. Critics Consensus: The Girl with All the Gifts grapples with thought-provoking questions without skimping on the scares -- and finds a few fresh wrinkles in the well-worn zombie horror genre along the way.

Directed By: Colm McCarthy. Critics Consensus: Grimmer and more terrifying than the s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects.

Carter , David Clennon. Directed By: John Carpenter. Critics Consensus: The delightfully gonzo tale of a lovestruck teen and his zombified mother, Dead Alive is extremely gory and exceedingly good fun, thanks to Peter Jackson's affection for the tastelessly sublime.

Directed By: Peter Jackson. Directed By: Zach Lipovsky. Critics Consensus: A rough-edged thriller that lacks the precision of Polanski's best work, but makes up for it with its skillful mounting of paranoia, dread, and dark themes.

Directed By: Roman Polanski. Critics Consensus: Deft direction and strong performances from its all-female cast guide The Descent, a riveting, claustrophobic horror film.

Critics Consensus: Carried by its charismatic young cast, Better Watch Out is an adorably sinister holiday horror film.

Directed By: Chris Peckover. Critics Consensus: Terrifying and funny in almost equal measure, John Landis' horror-comedy crosses genres while introducing Rick Baker's astounding make-up effects.

Directed By: John Landis. Critics Consensus: Doctor Sleep forsakes the elemental terror of its predecessor for a more contemplative sequel that balances poignant themes against spine-tingling chills.

Critics Consensus: The Omen eschews an excess of gore in favor of ramping up the suspense -- and creates an enduring, dread-soaked horror classic along the way.

Directed By: Richard Donner. Critics Consensus: Creepy lives up to its title with a suspenseful and thoroughly unsettling - not to mention well-acted - blend of crime procedural and domestic drama.

Directed By: Kiyoshi Kurosawa. Critics Consensus: Bloody horror with barbed wit, Come to Daddy anchors its brutal violence in a surprisingly mature approach to provocative themes.

Directed By: Ant Timpson. Critics Consensus: An action-packed creature feature that's fast, terrifying, and benefits greatly from a completely game Kaya Scodelario, Crawl is a fun throw-back with just enough self-awareness to work.

Directed By: Alex Aja. Critics Consensus: The Exorcist rides its supernatural theme to magical effect, with remarkable special effects and an eerie atmosphere, resulting in one of the scariest films of all time.

Directed By: William Friedkin. Critics Consensus: The Invitation makes brilliant use of its tension-rich premise to deliver a uniquely effective -- and surprisingly clever -- slow-building thriller.

Directed By: Karyn Kusama. Critics Consensus: Smartly constructed and powerfully acted, Hounds of Love satisfies as a psychological thriller with a few nasty surprises -- and marks writer-director Ben Young as a promising talent.

Directed By: Ben Young. Critics Consensus: Thanks to director Zak Hilditch's patient storytelling and strong work from lead Thomas Jane, ranks among the more satisfying Stephen King adaptations.

Directed By: Zak Hilditch. The Abominable Dr. Critics Consensus: The Abominable Dr. Directed By: Robert Fuest. Critics Consensus: House is a gleefully demented collage of grand guginol guffaws and bizarre sequences.

Critics Consensus: Henry: Portrait of a Serial Killer is an effective, chilling profile of a killer that is sure to shock and disturb.

Directed By: John McNaughton. Critics Consensus: Rare Exports is an unexpectedly delightful crossbreed of deadpan comedy and Christmas horror.

Directed By: Jalmari Helander. Critics Consensus: Deeply unnerving and surprisingly poignant, The Orphanage is an atmospheric, beautifully crafted haunted house horror film that earns scares with a minimum of blood.

Directed By: J. Critics Consensus: Though it deviates from Stephen King's novel, Stanley Kubrick's The Shining is a chilling, often baroque journey into madness -- exemplified by an unforgettable turn from Jack Nicholson.

Directed By: Stanley Kubrick. Critics Consensus: The Dead Zone combines taut direction from David Cronenberg and and a rich performance from Christopher Walken to create one of the strongest Stephen King adaptations.

Critics Consensus: Bone Tomahawk's peculiar genre blend won't be for everyone, but its gripping performances and a slow-burning story should satisfy those in search of something different.

Directed By: S. Craig Zahler. Critics Consensus: Duel makes brilliant use of its simple premise, serving up rock-solid genre thrills while heralding the arrival of a generational talent behind the lens.

Directed By: Steven Spielberg. Critics Consensus: Scary, strange, and maybe a little silly, House of Usher represents an early high mark for Vincent Price and a career triumph for director Roger Corman.

Directed By: Roger Corman. Critics Consensus: Full of creepy campfire scares, mock-doc The Blair Witch Project keeps audiences in the dark about its titular villain, proving once more that imagination can be as scary as anything onscreen.

Starring: Heather Donahue , Michael C. Williams , Joshua Leonard , Bob Griffith. Critics Consensus: The Devil's Candy playfully subverts horror tropes while serving up more than enough stylish thrills to satisfy genre enthusiasts.

Directed By: Sean Byrne. Critics Consensus: Carla Gugino carries Gerald's Game's small-scale suspense with a career-defining performance.

Critics Consensus: Kinetically directed by Danny Boyle, 28 Days Later is both a terrifying zombie movie and a sharp political allegory. Directed By: Danny Boyle.

Directed By: Alice Lowe. Directed By: Marcin Wrona. Critics Consensus: Trading gore for grandeur, Horror of Dracula marks an impressive turn for inveterate Christopher Lee as the titular vampire, and a typical Hammer mood that makes aristocracy quite sexy.

Directed By: Terence Fisher. Critics Consensus: Fright Night deftly combines thrills and humor in this ghostly tale about a man living next to a vampire.

Directed By: Tom Holland. Critics Consensus: This intelligent horror film is subtle in its thrills and chills, with an ending that is both shocking and truly memorable.

Directed By: Robin Hardy. Critics Consensus: Nina Forever tests the limits of the rom-com with a decidedly unorthodox triangle that's as diabolically original as it is daringly dark.

Critics Consensus: Thanks to a smart script and documentary-style camerawork, The Texas Chainsaw Massacre achieves start-to-finish suspense, making it a classic in low-budget exploitation cinema.

Critics Consensus: Well-crafted and gleefully creepy, The Conjuring ratchets up dread through a series of effective old-school scares.

Critics Consensus: Elevated by standout performances from James Caan and Kathy Bates, this taut and frightening film is one of the best Stephen King adaptations to date.

Directed By: Rob Reiner. Critics Consensus: Chilling performances and a restrained, eerie atmosphere make this British horror both an unnerving parable of its era and a timeless classic.

Directed By: Wolf Rilla. Directed By: Richard Stanley. Critics Consensus: Similar to the original in all the right ways -- but with enough changes to stand on its own -- Let Me In is the rare Hollywood remake that doesn't add insult to inspiration.

Directed By: Matt Reeves. Critics Consensus: Halloween largely wipes the slate clean after decades of disappointing sequels, ignoring increasingly elaborate mythology in favor of basic - yet still effective - ingredients.

Directed By: David Gordon Green. Critics Consensus: Deliciously campy and wonderfully funny, Theater of Blood features Vincent Price at his melodramatic best.

Directed By: Douglas Hickox. Critics Consensus: Effortlessly mixing scares, laughs, and social commentary, Attack the Block is a thrilling, brisky-paced sci-fi yarn with a distinctly British flavor.

Directed By: Joe Cornish. Critics Consensus: David Lynch's surreal Eraserhead uses detailed visuals and a creepy score to create a bizarre and disturbing look into a man's fear of parenthood.

Directed By: David Lynch. Critics Consensus: Creepily atmospheric and haunting, The Devil's Backbone is both a potent ghost story and an intelligent political allegory.

Directed By: Guillermo del Toro. Critics Consensus: Alternately hilarious, gross, and simply diverting, Housebound is the rare horror-comedy that delivers on both fronts.

Directed By: Gerard Johnstone. Critics Consensus: Smart, powerfully acted, and devilishly clever, We Are Still Here offers some novel twists on familiar territory -- and heralds the arrival of a major talent in writer-director Ted Geoghegan.

Directed By: Ted Geoghegan. Critics Consensus: Combining a deadly thriller plot with the stylized violence that would become his trademark, The Bird with the Crystal Plumage marked an impressive horror debut for Dario Argento.

Critics Consensus: Decades later, it still retains its ability to scare -- and Lon Chaney's performance remains one of the benchmarks of the horror genre.

Directed By: George Waggner. Critics Consensus: One of the most compelling and entertaining zombie films ever, Dawn of the Dead perfectly blends pure horror and gore with social commentary on material society.

Critics Consensus: A classic. Directed By: Rouben Mamoulian. Critics Consensus: Shaun of the Dead cleverly balances scares and witty satire, making for a bloody good zombie movie with loads of wit.

Directed By: Edgar Wright. Critics Consensus: The Endless benefits from its grounded approach to an increasingly bizarre story, elevated by believable performances by filmmakers Justin Benson and Aaron Moorhead.

Critics Consensus: Don't Breathe smartly twists its sturdy premise to offer a satisfyingly tense, chilling addition to the home invasion genre that's all the more effective for its simplicity.

Critics Consensus: Perfectly mixing humor and horror, the only thing more effective than Re-Animator's gory scares are its dry, deadpan jokes.

Directed By: Stuart Gordon. Critics Consensus: Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead.

Directed By: Ruben Fleischer. Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what's left unseen can be just as horrifying as anything on the screen.

Directed By: Trey Edward Shults. Critics Consensus: Bela Lugosi's timeless portrayal of Dracula in this creepy and atmospheric film has set the standard for major vampiric roles since.

Directed By: Tod Browning. Critics Consensus: The kinetic camerawork and brutal over-the-top gore that made Dario Argento famous is on full display, but the addition of a compelling, complex story makes Deep Red a masterpiece.

Critics Consensus: David Cronenberg combines his trademark affinity for gore and horror with strongly developed characters, making The Fly a surprisingly affecting tragedy.

Critics Consensus: Wes Craven's intelligent premise, combined with the horrifying visual appearance of Freddy Krueger, still causes nightmares to this day.

Critics Consensus: Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow.

Directed By: Karl W. Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.

Directed By: Bong Joon Ho. Critics Consensus: Train to Busan delivers a thrillingly unique -- and purely entertaining -- take on the zombie genre, with fully realized characters and plenty of social commentary to underscore the bursts of skillfully staged action.

Directed By: Yeon Sang-ho. Critics Consensus: Led by a note-perfect performance from Charles Laughton, Island of Lost Souls remains the definitive film adaptation of its classic source material.

Directed By: Erle C. Critics Consensus: Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely -- yet never less than viscerally thrilling -- feminist spin.

Directed By: Coralie Fargeat. Critics Consensus: The blood pours freely in Argento's classic Suspiria, a giallo horror as grandiose and glossy as it is gory.

Critics Consensus: Ringu combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way.

Directed By: Hideo Nakata. Critics Consensus: Evocative direction by Jacques Tourneur collides with the low-rent production values of exploitateer Val Lewton in I Walked with a Zombie, a sultry sleeper that's simultaneously smarmy, eloquent and fascinating.

Directed By: Jacques Tourneur. Critics Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.

Directed By: Anna Biller. Critics Consensus: A B-movie with an A-level commitment to entertain, Harpoon should hit the target with horror fans in the mood for gory, darkly humorous antics on the open water.

Directed By: Rob Grant. Critics Consensus: Employing gritty camerawork and evocative sound effects, Invasion of the Body Snatchers is a powerful remake that expands upon themes and ideas only lightly explored in the original.

Directed By: Philip Kaufman. Critics Consensus: Creepily atmospheric, The Innocents is a stylishly crafted, chilling British ghost tale with Deborah Kerr at her finest.

Directed By: Jack Clayton. Critics Consensus: Successfully mixing the conventions of the teen and horror genres with a twist, Australian director Sean Byrne makes a striking directorial debut with The Loved Ones.

Critics Consensus: Evil Dead 2's increased special effects and slapstick-gore makes it as good -- if not better -- than the original.

Directed By: Sam Raimi. Critics Consensus: Raw's lurid violence and sexuality live up to its title, but they're anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade.

Directed By: Julia Ducournau. Critics Consensus: This classic low budget horror film combines just the right amount of gore and black humor, giving The Evil Dead an equal amount of thrills and laughs.

Critics Consensus: La Llorona puts a fresh spin on the familiar legend by blending the supernatural and the political to resolutely chilling effect.

Directed By: Jayro Bustamante. Critics Consensus: Stunning visuals from Werner Herzog and an intense portrayal of the famed bloodsucker from Klaus Kinski make this remake of Nosferatu a horror classic in its own right.

Directed By: Werner Herzog. Critics Consensus: Creep 2 has everything that made the original work and more -- more laughs, more awkwardness, more unsettling terror.

Directed By: Jeremy Saulnier. Critics Consensus: Carrie is a horrifying look at supernatural powers, high school cruelty, and teen angst -- and it brings us one of the most memorable and disturbing prom scenes in history.

Critics Consensus: Ambitious, impressively crafted, and above all unsettling, Midsommar further proves writer-director Ari Aster is a horror auteur to be reckoned with.

Directed By: Ari Aster. Critics Consensus: Deliciouly funny to some and eerily presicient to others, The Fly walks a fine line between shlocky fun and unnerving nature parable.

Directed By: Kurt Neumann. Critics Consensus: House of Wax is a 3-D horror delight that combines the atmospheric eerieness of the wax museum with the always chilling presence of Vincent Price.

Critics Consensus: Sam Raimi returns to top form with Drag Me to Hell, a frightening, hilarious, delightfully campy thrill ride. Critics Consensus: A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original -- and serves as a striking calling card for writer-director Ana Lily Amirpour.

Directed By: Ana Lily Amirpour. Critics Consensus: Smart, subversive, and darkly funny, Ready or Not is a crowd-pleasing horror film with giddily entertaining bite.

Critics Consensus: Tigers Are Not Afraid draws on childhood trauma for a story that deftly blends magical fantasy and hard-hitting realism - and leaves a lingering impact.

Critics Consensus: Mandy's gonzo violence is fueled by a gripping performance by Nicolas Cage -- and anchored with palpable emotion conveyed between his volcanic outbursts.

Directed By: Panos Cosmatos. Critics Consensus: Well-acted and fiendishly frightening with an emotionally affecting story at its core, It amplifies the horror in Stephen King's classic story without losing touch with its heart.

Directed By: Andy Muschietti. Critics Consensus: Don't Look Now patiently builds suspense with haunting imagery and a chilling score -- causing viewers to feel Donald Sutherland and Julie Christie's grief deep within.

Directed By: Nicolas Roeg. Critics Consensus: Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire.

Critics Consensus: Proving once again that build-up is the key to suspense, Alfred Hitchcock successfully turned birds into some of the most terrifying villains in horror history.

Directed By: Alfred Hitchcock. Critics Consensus: The Wailing delivers an atmospheric, cleverly constructed mystery whose supernatural thrills more than justify its imposing length.

Directed By: Na Hong-jin. Critics Consensus: With four accomplished directors contributing, Dead of Night is a classic horror anthology that remains highly influential.

Critics Consensus: Under the Shadow deftly blends seemingly disparate genres to deliver an effective chiller with timely themes and thought-provoking social subtext.

Directed By: Babak Anvari. Critics Consensus: Lean, suspenseful, and scary, Host uses its timely premise to deliver a nastily effective treat for horror enthusiasts.

Directed By: Rob Savage. Critics Consensus: Smart, solidly crafted, and palpably tense, 10 Cloverfield Lane makes the most of its confined setting and outstanding cast -- and suggests a new frontier for franchise filmmaking.

Directed By: Dan Trachtenberg. Critics Consensus: Peeping Tom is a chilling, methodical look at the psychology of a killer, and a classic work of voyeuristic cinema.

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1 Anmerkung zu “Horror Films

  1. Voktilar

    Nach meiner Meinung lassen Sie den Fehler zu. Ich kann die Position verteidigen. Schreiben Sie mir in PM.

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